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Best Coast Bias: Everything Is Hate

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A man still on a mission
Photo Credit: WWE.com
Results, stray thoughts and takeaways from the latest Takeover just as soon as I finally get to yell "YOUR NAME IS TOBY!" at a White man...

Results:
  • Kyle O'Reilly and Roderick Strong retained the NXT World Tag Team Championships over Danny Burch and Oney Lorcan after a Total Elimination variant.
  • Ricochet beat Velveteen Dream after a 630 splash.
  • Shayna Baszler retained the NXT Women's World Championship over Nikki Cross after rendering her unconscious with the Kurifida Clutch.
  • Aleister Black retained the NXT World Championship over Lars Sullivan after a pair of Black Masses.
  • Tommaso Ciampa beat Johnny Gargano in a street fight.

General Observations:
  • With Mauro out covering fisticuffs, 205 Live's Vic Joseph filled in and didn't even remotely embarrass himself. This left Nigel to do more lifting than usual, but he was above average in that regard as well.
  • The Dishonorable tag champs did their usual shtick to a huge pop and early Undisputed chants. The Chicagoans (?) in attendance seemed lukewarm about the 1-2 Punch but this match would help lessen that.
  • Kyle O'Reilly throwing open-handed palm strikes instead of forearms or punches was another great grace note for his character.
  • The underdog challengers got the advantage, cleared the ring, and the crowd still chanted for the Era.
  • Roderick maybe only landed three backbreakers, so it'll be interesting to see if this was a one-off or a note he'll be punching harder going forward with the alignment change. He landed a super sweet dropkick on Burch that probably had Shane Thorne in the back going "that ain't shit".
  • Oney Lorcan may or may not have been there for porkin' (okay, he was, don't hurt me boss), but as chops gave way to European uppercuts and dives when he finally got his chance, the crowd firmly got behind the white hats.
  • They landed the two-man DDT they landed to win the trios match, but Oney failed to block Kyle from breaking up the pin attempt though he seemed to have been available to do so. He paid when Kyle shoved him off of the top and he hit the apron before he hit the floor, one in a series of vicious back bumps taken by a roster member on the evening.
  • 1-2 pulling out a flying European uppercut variant on the Doomsday Device was choice.
  • The challengers got stereo submissions on the challengers, but Kyle managed to get somewhat loose of the grip in Burch's crossface and upkick him away and into breaking up Oney's half crab on Roddy to a well deserved round of applause.
  • You could see the sweat fly off of Kyle when Oney was delivering some open-handed chop violence in an echo of NFL Films past.
  • It's probably a coincidence, but the fact the champs won with a two-man Ax and Smash followed by a Total Elimination was a nice sign that while Roddy's gone with the Era he still doesn't fully fit in as they don't have a tandem closeout maneuver of their own (at least not yet).
  • Only Velveteen Dream could come out in some hybrid Hogan/Prince Puma cosplay and make it work.
  • The match would go on several minutes but would be best encapsulated in a few seconds where Ricochet followed up a Dream dodge followed by a flashier dodge of his own that turned into a superhero landing, causing Velveteen to shake his head and Ricochet to smile a him.
  • Loved Dream copping Ricochet's offense via the stepover slingshot senton bomb and step up tope con hilo. The announce wisely noted this quickly, helping tell the "anything you can do, I can do better" story.
  • Then Ricochet hit a sterling tope and a Fosbury Flop where he almost landed on his feet because of course he does.
  • Avalanche. Rolling. DVD. Jesus H. Vishnu, Dream. And then a superplex to the floor from the apron as a follow up, getting the night's first Holy Shit! chant.
  • After they both almost took the whole count to get in, it seemed like they were setting up a spot where there'd usually be a boo/yay indieriffic tradeoff but Dream hit a sudden rolling DVD before they actually followed through on it after the kickout.
  • Ricochet responded to Dream's taunting him as a wrestling god by laying him out with his own rolling DVD and posing before a Purple Rainmaker, which Velveteen survived.
  • Dream rolled away from a possible 630 attempt, so Ricochet went for a Shooting Star press instead but Dream got the knees up. Ricochet escaped late in the kickout.
  • Dream went for a coast to coast sized Purple Rainmaker and whiffed it, so of course he was doomed.
  • God's Production Team got a great shot of Dream looking crestfallen while Ricochet celebrated behind him. (h/t Brandon Stroud)
  • Nice moment before the Women's World Title shot as a front row fan held up a pro-Nikki checklist where the top row was marked with her pre-Full Sail sobriquet Best In the Galaxy and she approached it in full gear without fully interacting with it.
  • Oddly tepid reaction for the Queen of Spades.
  • The opening was all Cross' mind games: asking for the Clutch, mock turtling on the mat after eating a legsweep, then offering her back a la Sting, all liberally punctuated with her laughter.
  • There are few non-finishing moves I love more than the Finlay "trap them in the apron and whup their ass" spot.
  • The crowd got distracted by something that was going on in the audience, which sort of put a damper on the portion of the match where Shayna was gaining control.
  • Not a falling reverse DDT into the apron, Nikki! That's The Hardest Part Of The Ring!
  • Nikki smiling while in the Clutch and then going to sleep rather than tapping out sure seemed like an unofficial farewell to Full Sail.
  • The newest member of the NXT roster would politely like to request that you bask ... in his glory!
  • If you want to have fun killing 10 minutes, start making NXT dream matches with Keith Lee in them. I am Very Very Hopeful that he's going to be wrestling on the house show my newly minted fiancee and I are going to next month.
  • Black wrestled the opening moments of his title defense faster than usual, with a nice unstated note to his sense of urgency after Sullivan caught the Mass once again early on. That Meteora suicida must be hell on the knees, though...
  • I probably say this every Takeover, but if Black didn't have the Mass in his arsenal he should be ending matches with his pump knee strikes, which without fail look like they should come with a black robe and a scythe.
  • In that vein, Sullivan's pop-up powerslam always looks better than the aysmmetry of the Accident (which is also intentional).
  • Sullivan lifting Black and almost giant swinging him around while he had a Stretch Muffler was a three exclamation point moment.
  • Not a pop up powerslam into the apron, Lars! That's The etc
  • The first Black Mass that landed sort of different. Sullivan was either out of position or Black threw a rare wobbler. The next one Very Much Was Not That, and Lars was bleeding from his mouth when he was yelling right before he caught another across the forehead in an echo of the Asuka/Nia title match from a couple of years ago.
  • After Candice walked up to Johnny in the back pre-main and handed him the broken crutch from New Orleans before telling him to go kick some ass, I half expected Gargano to be lying in wait where he got thrown into the wall at the original TO: CHI to jump Ciampa with it.
  • Ciampa went over the announce table again, wiping out Nigel in the process and spurring another "Mamma Mia" chant.
  • Another Johnny Wrestling plant fan with a Use This Sign, Johnny sign, so yup, it had a stop sign in it and caused a series of ECW chants after Gargano landed a series of shots with the signs.
  • Even in a street fight against the man he hates most on Earth, Mr. LeRae had time to high five a few fans once he wore Ciampa out.
  • Nothing says hate like willing to get your own trash can, lid and chair that your former partner hasn't sullied with their touch.
  • Ciampa wrapped a chair around Johnny's neck then spiked it into the steps for the devil's hangman in a fine, cringeworthy moment.
  • He also landed a catapult into the bottom buckle, which I somehow haven't seen before.
  • Damn right I yelled "YOUR NAME IS TOBY!" while Gargano whipped Ciampa with his belt a bunch.
  • You see, first you have a piece of trash, then you wrap a garbage can around its head, then you superkick it. SYMBOLISM.
  • Announce noted that neither man had gone for a pin to that point, so of course a pinfall (by Ciampa) came down the line pretty fast after that.
  • I didn't think the Air Raid Crash into the steps would end the match, but I wouldn't've been mad if it had.
  • Ciampa exposed about half of the ring all the way down to the wood, so you knew that was going to be coming into play.
  • Part of me wished the match had ended with Ciampa's version of the Gargano Escape. Would WWEN have covered all of the ensuing riot, some of it, or none of it?
  • Ciampa leading Gargano up the aisle while delivering a Bond villain soliloquy seemed to have a giant button labeled COMEUPPANCE written all over it, but it didn't happen at what the expected point would be. First, Ciampa got to run Johnny into the Tron overhang again, as well as hit a Knee Trembler akin to 2017.
  • Off those beats, there had to be two tables in the vicinity, which there were. Ciampa set up his petard by taking off Gargano's ring, spitting on it, then throwing it off camera.
  • I'm having trouble remember who else in my adult fandom I've enjoyed getting their shit wrecked more than the Blackheart.
  • Johnny was the one with the Air Raid Crash off a high place through two tables this year. Medics came out to put Ciampa on a stretcher, and you could see him bleeding from the arm where a shard of one of the tables had gone into it.
  • That could've been that, but Johnny realized he was ringless. Chicago wanted blood. I wanted blood. Jesus wanted blood.
  • Johnny sent a medic into the ref, dragged Ciampa to the ring and whaled on him before getting him off the stretcher and taking the neckbrace off in the ring. Ciampa tapped and for some reason some NPCs came out to pull Johnny off.
  • Obviously they got got, then Ciampa got handcuffed and Gargano teed off with a half dozen basement superkicks. Great job by Ciampa, who sold the first two with motions and then just took the remaining four in the teeth like he was out on his knees before sluicing into the mat.
  • Another Escape, more NPC bullshit, and I still can't remember how Johnny ended up in position to eat a rope hung DDT that sent him into the exposed wood.
  • The referee hesitated briefly before making the count, then out came the Surrender Cobras.

Match of the Night: Johnny Gargano v. Tommaso Ciampa, Chicago Street Fight – Watching the Empire Strikes Back of Full Sail, it lived in a heightened reality the entire time. It felt palpably unsettling, and was augmented by Nigel being horrified/disgusted/afraid on several occasions for both men. It added in a way that Mauro (had he been there), Vic or Percy couldn't have done. When people best known for being proper villains are very loudly stating how beyond the pale things are it's a rare spice that doesn't get served up in the usual NXT offering, or even the whole of WWE for that matter.

The New Orleans match was the one for callbacks, for in-ring callbacks and counter narratives. This piece of beef was marinated in violence, and without there being a lot of gore for the sake of gore or high-end weaponry still felt so much like the fight it was billed as that several moments were cringeworthy. Somehow on multiple occasions Ciampa made a trash can lid look like something James Bond would wield to merk unsmiling men in suits. Gargano's further malice, highlighted by his admittedly accidental wiping out of the referee during his very intentional wiping out of the NPCs before his basement superkick party got to come further into play and yet even when he was delivering chair shots into Ciampa's leg there was no moment where it felt like a pivot point into heeldom.

What I didn't mention above because I was saving it for here was post Crash as the medics came out and the replays rolled Johnny sat on the equipment he delivered the ARC from and wasn't joyous or saddened; the phrase I used in my notes was "almost catatonic". It seemed like he might've been having a change of heart..but then he found out he was ringless and just like that it was Murder O'Clock.

The NPCs involvement was a necessary evil, no matter how goofy it came off in a street fight it was necessary, especially with no heel turn for anyone or EC3 getting retribution for being upstaged a couple weeks ago.

Let's Go Home: Like the show itself, to paraphrase (quote) Halt and Catch Fire, this show wasn't the thing, it was the thing that gets us to the thing. And it was historically, epically stuck. New Orleans might've been the best Takeover ever, which is like exalting one Rakim rhyme over the fusillade of others. Brooklyn III is of course going to have some crazy gimmick match for #DIY explodes III, which will probably also headline that show as well.

So here we were, as evidenced by the absence of title changes, not a placeholder show, but one just doomed not to be remembered as positively despite having no bad matches for two and a half hours. In the case of every challenger(s), however, they served to mark as signposts to further establish the defending champions. Those stories could be stretched further, but there doesn't seem to be a need for that in any of the three cases (with a possible stipulation for a Women's championship rematch being the best one to make).

Still, Takeover: Chicago II has nothing to be ashamed of; when you deliver a story of spectacle and violence like the main, there's no way the show gets completely forgotten.

It will, however, through almost no fault of its own, get overshadowed.

On one hand, that's unfortunate. On the other hand, BRING ON BROOKLYN.

Tommaso and Johnny aren't done killing themselves for our entertainment juuuuuuuuuuuuuuuuuuuuuuuuuust yet.

Money In The Bank Safeword: Recursion

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Sure, it was done well, but was it the right call?
Photo Credit: WWE.com
A week before WrestleMania 34, Alexa Bliss was RAW Women's Champion and Nia Jax was mad at her. A mere 77 days later, and Bliss is the RAW Women's Champion once more, and Jax is once again mad at her. WWE has not remained in stasis since then, which is what makes this situation worse than when it started, in all honesty. At Mania, Jax scored an inspirational victory over the verbally abusive former friend and looked to set off on a new path after besting Bliss in the rematch. While her forecasted direction in the wake of her challenge of Ronda Rousey most likely left her with a narrative away from the title, at least she had moved on, right?

Then, Bliss in a somewhat shocking (but not too shocking) decision won the women's briefcase, interrupted the RAW Women's Championship Match, beat the shit out of both challenger and Champion with the briefcase, and cashed in on a vulnerable Jax to win her fifth title.

The nuts and bolts of the decision weave a complicated narrative. On one hand, it was well-executed. The whole presentation was pulled off in great fashion, to be honest. Outside of some rough sailing in the beginning, Rousey found her footing, especially during her comeback. Jax continued to show growth as a monster worker, asserting herself as a veritable irresistible force. Bliss' cash-in made sense and it left no stone unturned to make sure the scene matched the setting. All in all, it was powerful, gripping, and it set the table for a robust, unpredictable, diverse road of storytelling into SummerSlam.

On the other hand, why can't I shake this feeling of malaise over the whole thing? It's because WWE put its RAW Women's Division right back where it was before WrestleMania. Recursion is the greatest nemesis of constructive storytelling. Wrestling is storytelling, which is undoubtedly an art. Whether or not the people engaging in wrestling treat it like an art is a whole other story altogether. Critics of the classification of wrestling as art point to the years and years of promotional tactics that transparently hit notes that strike profits rather than build a narrative with stakes. While Bliss' reemergence as Champion had machinations of artistry behind it and didn't feel as bad as the WWE's peak disregard for storytelling — giving Shane McMahon control of RAW the night after he presumably lost his job with WWE by losing to Undertaker, it basically showed that Jax's win was fleeting, ephemeral. Her story didn't matter because the division had to reset, not just for Jax but for the greater glory of Rousey, which to me is like seeing the outcry against Malibu Stacy's blatant sexism and repackaging her merely with a hat.

Giving WWE the benefit of the doubt in this situation is not an option because at least the main roster narrative has been defined by recursion for as long as I can remember. Something good might come out of it, absolutely. Jax, Bliss, even Rousey all seem to be perfectly cromulent professional wrestlers at their base levels. Granted, the specter of adding Natalya to the mix haunts any future plans for this title scene, but at the same time, Ms. Neidhart at least acquitted herself well in the Money in the Bank ladder match last night. That being said, should criticism stop at good enough when combing through analysis of a story? Accepting recursion time and time again from a company is admitting that it is not engaging in an artistic endeavor, which I guess is fine if you're fine with consuming wrestling divorced from any of its artistic potential. Obviously, I'm fine with it to an extent since I keep watching this shit.

Still though, it's hard to sit through a whole show, as good as it was, and keep seeing resets. Bliss' triumph wasn't the only rewind that took place. Daniel Bryan tapped Big Cass easily after a month of hearing about how he was small was the exact same result as Backlash. Carmella won an important match against impossible odds against Asuka thanks to James Ellsworth. What's old is new again, and if I had to guess, television on Monday and Tuesday will probably rehash all the same territories. One has to ask what kind of growth characters undergo in WWE, and it's like, you have to strain to see or look at a long enough timeline where the wrestlers evolve themselves.

Whether or not it was done well, I can't help but think that while not the worst option, the way WWE orchestrated the women's Money in the Bank and RAW Women's Championship wasn't in the top five best options it could have run with going forward. Backsliding into a "safe" status quo is why WWE may never get artistic credibility that at least its cool kid fans so desperately want it to have. Then again, Vince McMahon is getting ludicrous amounts of fuck money to broadcast his B-show on Friday nights starting next year. I don't think he cares about artistic credibility, and that's something many of those, myself included, who ache for a solid critical thread upon which to latch, may have to begrudgingly accept going forward.

And hey, at least NXT is always there as a warm, comfortable blanket, right?

The Wrestling Blog's OFFICIAL Best in the World Rankings for June 18, 2018

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Thanks to Strowman, Kevin Owens is now on the fast track to becoming oil for future Earthlings.
Photo Credit: WWE.com
Welcome to a feature I like to call "Best in the World" rankings. They're not traditional power rankings per se, but they're rankings to see who is really the best in the world, a term bandied about like it's bottled water or something else really common. They're rankings decided by me, and don't you dare call them arbitrary lest I smack the taste out of your mouth. Without further ado, here's this week's list:

1. Braun Strowman (Last Week: Not Ranked) - Him winning the men's briefcase was unexpected since, c'mon, he doesn't need. But who needs anything? It's all about who takes stuff, right? Wrestling is a great escape from the ghastly slog that is real life because morality is different. Whereas decent people practice restraint and compassion, they're not in the wrong by demanding blood and gore from their heroes battling against rank villainy. Either way, I still can't believe Strowman threw Kevin Owens so hard that he landed about 50 meters embedded in Earth's mantle. That's wild.

2. Calamari (Last Week: Not Ranked)OFFICIAL HOLZERMAN HUNGERS SPONSORED ENTRY - If you've had this wonderful cephalopod, it's probably been battered, fried, and paired with some kind of red sauce. But did you know it's really fuckin' good grilled, broiled, braised, or cooked in any manner? I had it with clams, shrimp, and scallops in a pasta dish Friday and it might have been the best meal I had all year. GO out of your way to eat calamari in all shapes and sizes. Unless you're a vegan, in which case I respect your life choices, even though I don't necessarily agree to take part in that lifestyle.

3. Nikki Cross (Last Week: 7) - Was Cross' goal to win the NXT World Championship, or was it to make a noted MMA badass in Shayna Baszler poop her pants in fear? If it was the latter, she succeeded, oh my, did she succeed. Seriously, the evil grin she flashed right before passing out to the Kirafuda Clutch did more to get herself over as a psychopath than anything the main roster has done for Dean Ambrose since The Shield broke up. Granted, Ambrose has been an incredibly entertaining brand of silly crossed with crazy, but WWE just doesn't know how to brand its wrestlers best, does it.

4. Kota Ibushi (Last Week: Not Ranked) - The G1 Lineups were announced, and not only was Ibushi announced to be in the same bracket as tag partner and possible life partner Kenny Omega, their match will happen at Budokan Hall. Ibushi was banned from the legendary venue years ago for being TOO GODDAMN HARDCORE for it, but now he'll be back and facing off against the wrestler to whom he's inextricably linked. That's what's up.

5. Daniel Bryan (Last Week: Not Ranked) - Honestly, I'm probably giving up on weekly WWE television starting tonight. It's just pointless, really. But say, if Batista comes back to Smackdown, crumples up Big Cass, throws him into a dumpster, and starts a hot-ass feud with Bryan that really test the limits of David vs. Goliath without having the Goliath come out each week and yammer on about how he's much bigger, then maybe I'll reconsider that ban.

6. Steven Zuber (Last Week: Not Ranked) - So the Swiss national team didn't exactly beat Brazil, but a draw against the best team on the planet to open the World Cup is nothing to scoff at. Zuber scored the Swiss' goal, and it couldn't have come at a better time. The Cup has been topsy-turvy so far, with only one of the favored teams winning (Belgium, the others combined for one loss and three draws), and no result was as shocking as the Switzerland/Brazil draw. Crazy times, people. Crazy times.

7. Mayu Iwatani (Last Week: Not Ranked) - Io Shirai has left STARDOM, and she teamed with Iwatani in her last match. Afterwards, the last remaining member of the three pillars of STARDOM laid a big ol' smooch on her on-again, off-again tag partner. Shoot your shot, Mayu. Shoot your shot.

8. Asuka (Last Week: Not Ranked) - At some point, she's going to realize that WWE's patently anti-Japanese booking is beneath her. Seriously, allowing James Ellsworth to wear her entrance garb when she should be kicking Brock Lesnar's head into outer space? Fuck's sake, man. Fuck's sake.

9. Everyone Who Attended the College World Series' Through Three Games (Last Week: Not Ranked) - Look at that attendance figure. That's a nice attendance figure.

10. Oney Lorcan (Last Week: 10) - Even though he and Danny Burch were positioned as the faces in their feud against Undisputed Era, the Chicago crowd rejected them first. However, they gave all their porkin' to win the crowd over, even if they didn't win the titles. That's impressive if you ask me.

No, Fans Aren't Ingrates for Not Reacting How Vince McMahon Wants Them To

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Fans don't like the Big Dog? They aren't ingrates.
Photo Credit: WWE.com
When fans go to a wrestling show, they are invited to react. Hell, they are expected to react. The people in the live audience are an instant focus group, unprecedented in nearly any other medium of scripted entertainment nowadays. Obviously, when the creative team or the booker or whoever is in charge presents someone in a certain way, they expect the fans to react to them accordingly. Sometimes, those reactions don't match up with the presentation. The most widespread example is when a wrestler, heel or babyface, gets absolutely no reaction whatsoever, the most telling sign that the people pulling the strings have fucked up in their calculations.

The most famous example, however, was Rocky Maivia, the plucky third-generation superstar who smiled and wore bright clothing as many of his New Generation forebears did. The fans, almost nearly from jump, shit all over him like German porn starlet in a fetish film. Everyone knows how Vince McMahon reacted to that miscalculation. He pushed Maivia harder and harder until his wet-curled, side-shaved hair and teal-and-gold gear headlined five WrestleManias in a row despite the fetid reactions to him from a rebellious crowd. Wait, no, that's not how it happened. That's not how it happened at all. Maivia became The Rock, joined the Nation of Domination, gained a hard edge, and thus his build towards superstardom began from scratch and in earnest. That's how it works. That's how it's always worked.

Somewhere along the way, McMahon lost the plot or someone changed his mind or he let complacency cloud his judgment, because, um, hello, Roman Reigns from 2014 until the present day. Money in the Bank saw Reigns come out for what seemed to be his ∞th match in a row where the fans just dumped on him like they were Donald Trump and he was a protected wildlife reserve. None of it was surprising, even with Jinder Mahal as the opponent, and none of it was exactly new or groundbreaking. But that's the whole thing. McMahon has to have heard this shit ever since he brought Reigns back from his hernia injury in late 2013/early 2014. And yet here Reigns remains, a man who continues to be the square peg that McMahon continues to hammer into a round hole. Thusly, the crowd reactions have been the same. I mean, the old saying goes that the definition of madness is doing something the same way over and over and expecting a different result each time.

Which is why everytime I see a vocal contingent on Twitter or in the blogs or wherever continue to chide those fans for making rude chants or chanting for CM Punk or whatever, I roll my eyes. It's madness to expect any other reaction to come from that group of fans that exists, let's face it, in EVERY city WWE goes to in the States and Canada. If Reigns is being sent out in a classic WWE babyface role (whether or not he's a true babyface or not, but whatever, different essay) in the Shield gear to the Shield theme music, he's going to elicit those kinds of reactions. Obviously, it's not that those reactions don't have valid critiques that could be applied to them. Like it or not, the best way to get someone off the screen is by not reacting to them at all. Nothing speaks more loudly to a booker than no reaction at all. One could say these guys are dopes for going about getting Reigns all the way outta here the absolute wrong way, but then again, if they don't boo Reigns, he's still getting massive reactions from another large contingent of fans comprised of kids, y'know the target audience WWE should be aiming for.

But the strain of criticism that seems to pervade the air is that those fans are somehow ungrateful. I saw that those chants are disrespectful to the talent in the ring (might be true to be honest but still), that those fans are ingrates, and in a real Galaxy Brain of a take, that they hoped dads in the crowd knew they were setting bad examples for their kids on Fathers' Day. Putting the blame on the fans for doing their almost-mandated duty as wrestling audience members for bad character work and booking is like blaming the messenger for that plane getting shot down over the Sea of Japan, spinning in, and having no survivors. In what world do people spend their money and/or their time consuming something and owe the producer lasting gratitude for the experience? Like, if I didn't think any better, I'd say those opinions were subliminally implanted in people's heads to do the legwork for McMahon in his culture war against the peons who hate on his product.

Okay, so McMahon probably doesn't care what someone says about his booking or creative on the microscopic level when he's getting ten figures or more to produce a virtual monopoly. But that line of thinking is borne directly from a bootlicking attitude, one that absolves any wrongdoing of the person creating the thing that people hate and on the consumer for not liking the taste. It's elitist, it's selfish (wah, why are these people not liking the thing I like?), and it's incredibly incorrect in its targeting. If you notice, main roster WWE is the only place where this sort of thing seems to happen as well. Like, even NXT, which is owned by the same people in theory, is a far less toxic environment for the top guys. The faces are over as heck, and the heels either get booed ('sup, Tommaso Entertainment) or they at least draw dueling chants. Even Oney Lorcan and Danny Burch were able to overcome their total protonic reversal pretty quickly once they trained the crowd on the roles in the match. If everyone else can get their babyfaces over, then what is main roster WWE's excuse?

The truth is, McMahon has become lazy in his age. He's not hungry anymore. He has no more worlds left to conquer, and he knows it, or else he wouldn't construct RAW to have the biggest ratings getter during halftime in football season. Combine that complacency with his massive ego, and that's how you get a four year experiment of seeing if you can ram a square peg into a round hole. It doesn't take a rocket scientist to figure that out, which is why it's so disheartening to see the guns pointed at fans unhappy with this setup instead of at McMahon. Maybe it's not necessarily the desire to shove a nose up his ass, to be honest. Look at how WWE has co-opted the RAW after Mania crowd. It got ahead of the reactions and basically broadcast to the world that the crowd itself is as much an attraction with how bizarrely it reacted to narratives as the wrestlers and angles themselves. Maybe they're more like prisoners who are tired of getting flogged because of rebellion and just want to serve the rest of their sentences out in peace urging the brigands to maybe chill the fuck out. But I've been on Twitter long enough to know that too many people's nature is to flash the tailfeathers like peacocks to preen and show how much they mean business. I mean, you can't tell someone not to quote-tweet a Nazi in an attempt to dunk on them, no matter how much notoriety that Nazi gets from the numbers.

Still, it's no less frustrating to see people marked as ungrateful to a fucking billionaire megalomaniac because they're not doing exactly what he wants them to do. If the crowd isn't being racist, homophobic, or otherwise problematic, then it honestly doesn't matter what the fuck they chant. It'd be a valid reaction to a stimulus they received. Whether or not the guy in charge cares about it is another thing, but the crowd reaction is too important to a wrestling show to scuttle or have controlled by the office. I don't care if they chant CM PUNK in perpetuity; it's a message they're giving back to the booker, and if the booker doesn't take it, shame on them.

WWE NXT UK Is Coming

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Couture got hurt working a sham deal that will now be used as the fruition of WWE's English expansionism
Screen Grab from YouTube via ProWrestling.com
Toni Storm, Killer Kelly, and Isla Dawn competed in a three-way match to figure out who Shayna Baszler's challenger at the United Kingdom Tournament tapings would be yesterday. It was supposed to be a four-way match featuring Jinny Couture, and in fact, it began as such. Couture, who right now is the PROGRESS Women's Champion and perhaps the hottest property in British wrestling of any gender, injured herself badly enough that the match stopped and she needed help to the back. The match was declared a no-contest, and it was restarted later without Couture. While her injury condition hasn't been updated, the fact that she had to be helped to the back didn't really bode well for her chances of earning her keep through wrestling.

Of course, her appearance at the UK Tournament tapings suggested that she signed a deal much like many of her male counterparts in the scene, one that keeps them on WWE retainer and gives them a list of "approved" promotions for which they can work, but that doesn't give them full status as a WWE performer. While those deals open them to work for the biggest promotions in the Isles, Insane Championship Wrestling and PROGRESS, the list of promotions that it prohibits excludes the ITV World of Sport revival that taped once a few years back and then fell into some hard times. Those retainer deals felt unnecessary, especially with the rumored WWE UK brand seeming so far away. That's why when WWE announced Johnny Saint would be the general manager of said brand, it took people by surprise. WWE had no real plans scheduled for a UK brand outside this hastily announced tournament. Well, at said tapings, the other shoe dropped, and WWE announced the formation of NXT UK, which will not only feature the United Kingdom Championship that Pete Dunne currently holds, but divisions for women and tag teams as well.

The timing of the launch of the division coincides with, you guessed it, the World of Sport revival coming back online. The promotion taped a block of shows May 10-12 in Norwich, and in the most curious news of them all, the wrestlers who are working those shows will be paid as actors. That's right, those wrestlers will be unionized. In case you've not been paying attention to WWE for the last 30 years or so, those wrestlers are famously non-union, thanks to the efforts of that rat-bitch racist piece of shit Hulk Hogan. Is the announcement of NXT UK even more curious in that regard? Yes. Does it also show WWE's hand as wanting global domination of pro wrestling in Vince McMahon's image and likeness? Also yes.

The roster WWE has amassed on these questionable contracts already contains pretty much every marquee star from the British scene outside of guys like Will Ospreay, Zack Sabre, Jr., and Marty Scurll, who already work Ring of Honor and/or New Japan Pro Wrestling. WWE's tentacles are poised to strangle the British and probably European scenes with this move, and the company isn't even hiding its intentions that well. It's so transparent. Meanwhile, the workers suffer from lack of mobility. Again, PROGRESS and ICW are the cash cows, but man, a union payday might have looked nice for other wrestlers looking for a bigger piece of the pie and collectively bargained protections like maybe insurance? I'm sure WWE will cover Couture's injury costs because it happened in the ring; I mean, WWE isn't Daffney-era TNA levels of evil yet. Still though, anyone who gets hurt while working on one of those sham deals feels the pinch, especially if the monies tied to those deals only kicks in if they're able to work (admittedly, I'm not up to speed on the details of those contracts, but still).

NXT UK will probably be good if just for the sheer starpower involved and the pedigree of the people who run good ol' American NXT. That being said, whoever said quality was a justifiable end for unfair labor practices and corporate expansionism? I'm just sad that WWE has pretty much invaded the United Kingdom and made a uniquely vibrant scene bend the knee. And honestly, shame on both ICW and PROGRESS for allowing it to happen by becoming glorified WWE farm leagues, to be honest.

NXT Vs. The Main Roster

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NXT is Levesque's baby, and it shows compared to the main roster
Photo Credit: WWE.com
WWE owns the NXT brand. NXT is a WWE promotion, and is a pipeline for future main roster talents. Other than that connection, one would be pretty hard-pressed to think that the two were related in any way whatsoever. I wouldn't say NXT is objectively better than main roster WWE at this point. I mean, I find it objectively more enjoyable, but one has to admit that NXT's sight's don't skew universally, and maybe people find what the main roster shows are doing to be more entertaining. However, the MOs are not the same at all, and to claim as such would make me wonder what drugs the claimant was ingesting.

Of course, the differences between supposed developmental system and big show could be why NXT is so insufficient as a feeder league, to be honest. How many times does a wrestler or wrestlers come up from NXT smoking hot only to get the brakes put on them? Not all of them do, but one would think that a real developmental territory would do less to pop its own stories and more to get each superstar it grooms ready for Vince McMahon's grind. What makes NXT so different? I count five major reasons.

1. Vince McMahon is nowhere near it— Again, I'm not projecting objective quality via the things I like or don't like to "Bad Cop" McMahon and "Good Cop" Paul Levesque (aka Triple H). I'm not sure how much influence Levesque has on the main product, and what angles there are attributed to him. That being said, I'm fairly certain what creative decisions can be attributed to McMahon in NXT, mainly because I know he's got no influence over that product whatsoever. How could he? He's got RAW, Smackdown, and his resurgent XFL to take care of. Meanwhile, Levesque, Shawn Michaels, and whoever else they got in the braintrust in NXT are doing a fine job running a show that differentiates itself from the main roster. Whether or not one thinks it's a good thing, McMahon's influence is only filtered through the things that NXT creative has learned from him. Meanwhile, Levesque's love for the Southern territories, Michaels' heart-on-sleeve emotional storytelling, and the distinct lack of desire for someone to be thoroughly humiliated on a weekly basis shine through.

Additionally, while NXT has time for Big Boy SZN (as seen most recently with Lars Sullivan's slot challenging Aleister Black at Takeover: Chicago II), size seems to matter not. I mean, while it doesn't matter as much as one might think on the main roster, let me note that it wouldn't take every single other plan falling through for Daniel Bryan to get a headline slot at a Takeover: Brooklyn like it did for WrestleMania XXX (and it should be noted that Bryan is reportedly one of McMahon's favorite dudes on the roster!). Again, this isn't a statement of judgment on the objective quality, but it's clear that the philosophies of Levesque and company at Full Sail/the Performance Center and of McMahon and his team on the road and on cable TV are decidedly different, and it shows.

2. It doesn't have to please shareholders or sponsors— Modern WWE is a far different beast than it was even in the Attitude Era, because McMahon doesn't really have all the clout anymore. While he's definitely the final word on what goes on RAW or Smackdown, he still has to do so with the respect of the shareholders and sponsors. WWE going corporate put so many restrictions on McMahon, and he still found ways to test them and run afoul of them. For example, during the Nexus debut when Bryan choked Justin Roberts with his own tie, it caused so much ire with sponsors that it caused him to get fired from the company for a few months. NXT doesn't have that problem. While it is still beholden to the limits of good taste and such, it doesn't have to sell ad space. The shareholders probably see it as some pet project for development. Being contained completely within WWE's in-house structure for broadcast gives them so much latitude, even with a character like Velveteen Dream.

3. It doesn't have the main roster's time demands— This one is almost self-explanatory. When you have one hour most weeks to fill, three-and-a-half hours one week out of ten, it's going to put less of a tax on your creative process than if you have to fill eight hours most weeks and 12-14 once a week every month.

4. It doesn't have to make money— I'm not privy to NXT's books right now. I don't know if it's in the black now after years of establishment, increased touring, or even rights money from Hulu, if that's even a thing. I do know that right around the time it started doing house show tours that it was losing money as an entity, and yet it never seemed like it was on the chopping block. Being able to write yourself off as necessary overhead while getting to do the same things you do with the pressure to make money is so freeing. While Levesque's duties on the main roster, along with McMahon's and everyone else's there, hinge on trying to be as profitable as possible, NXT can exist as a passion project that operates in the red. It's the closest thing that wrestling has to a public-funded arts project, and that won't change now that WWE is expected be raking in that scrilla with its new TV rights deals for the main roster.

5. No one overstays their welcome— I don't know about you, but I'm fucking sick of Dolph Ziggler. Even now that Drew McIntyre has freshened up his act, if Ziggler fucked off to do comedy for a few years, I wouldn't hate it because he's just so stale. Whether that's his fault or the company's fault (or any combination on the spectrum of blame) is immaterial. The fact is that he's just a dessicated turd who takes up space on weekly programming. Realistically, the only place he can go to freshen up is away from wrestling, since he's reached the pinnacle in WWE and thus would command big bucks to any other promotion. Since World Championship Wrestling is a thing that died in 2001, Ziggler would have either hustle more than he's doing now to make the money he's making or leave wrestling for something with a higher ceiling for payment.

NXT, however, doesn't have that problem. A wrestler stays in the territory for however long they have something to do there, and then once they have no stories left to tell, they get to go to the main roster. Whether that person's stay is short like, say McIntyre's or if it's a long engagement like Johnny Gargano and Tommaso Ciampa, it's finite, which is more than you can say for anyone on the main roster unless a future endeavorment is in play. The pool has near infinite refreshes, so it doesn't matter if a wrestler is like Ziggler who just doesn't know how to reinvent themselves or if they're like Chris Jericho and know reinvention or someone like John Cena whose shtick doesn't seem to get old.

So all of those things make NXT a recipe for success as a boutique promotion, and if you look at it as such, it's hard to qualify it as anything but a smash hit, at least in the critical sense. That being said, what has the stated goal always been? Has it been to be Levesque's vanity play, or is it just a developmental promotion to get wrestlers ready for RAW and Smackdown? If the answer is the latter, then maybe NXT isn't the success that people think it is. Spending a residence in NXT to prepare for the meat grinder that is McMahon's main roster is like backpacking across Europe after college in preparation for entering the workforce. Then again, while preparation for main event WWE television might be a good endgame for NXT according to Vince McMahon and others at Titan Towers, at least fans like me and others who turn out for various NXT-related products, having an accessible, premium wrestling brand available just to enjoy is reason enough for it to exist in its current state.

Big Cass Has Been Released

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I guess they can't teach staying employed...
Photo Credit: WWE.com
In surprising, but not all that surprising news, William Morrissey, better known as Colin "Big Cass" Cassady, has been let go from his WWE contract. According to Dave Meltzer, Vince McMahon called a meeting with the now former superstar before Smackdown last night and fired him in person. The reasons are related to drinking, but one couldn't be blamed if they thought more was under the skin. The fact that the press release didn't wish him luck in his future endeavors feels ominous. The only other person WWE has fired that it hasn't given such wishes to recently has been his former tag partner, Enzo Amore, who as all knows was fired for not disclosing that he was under investigation for rape. Still, the decision came just two days after he lost to Daniel Bryan in the early going of Money in the Bank.

Morrissey was reported to be not well-liked in the locker room. He was a loud, proselytizing Donald Trump supporter, which even in the conservative WWE locker room won him no real friends. He even allegedly loudly complained backstage about having to put Bryan over for the second pay-per-view in a row. The reason given to Paul Levesque's official mouthpiece at Sports Illustrated, Justin Barrasso, is that his drinking and namely, his attitude while drunk, caused WWE officials to sour on him.

The catalyst for his dismissal, or at least the thing that made people not tolerate his shit as much, was blatantly going off-script before Backlash. In a segment where he brought out a little person dressed as Bryan, he was instructed not to beat the shit out of him after he asked. Morrissey ignored directive and went on with the beatdown anyway. McMahon was reportedly furious at the disobedience. Once Morrissey was shown to be a loose cannon or someone who went into business for himself to officials, the other stuff became less and less tolerable. Personally, I might empathize with him on the little person incident, mainly because McMahon talks about grabbing the brass ring, and something like that might be construed by a hungry young wrestler as doing just that. Additionally, if the drinking was a problem, was rehab ever discussed? For a company that likes to paint itself as compassionate to its independent contractors, you'd think it have at least offered.

Morrissey was a generic big guy in Florida Championship Wrestling and NXT until he was paired with Amore. They formed a highly entertaining tag team that got over on mic work and catchphrasing rather than character growth or wrestling acumen. When they got to the main roster, they were a hot act for a little bit until bad creative put them in some questionable angles (like one where the fans were to expect Amore was a babyface for attempting to fuck Lana, a married woman) and the grind of main roster scheduling exposed their act as being shallow. WWE had the idea to break them up and had Cass turn on Amore in vicious fashion. His initial run was truncated thanks to an ACL tear. When he got back, he was paired with Bryan, but the feud never really evolved past Cass saying "ME BIG, YOU LITTLE."

While Morrissey's talent was nonexistent and the rumored Trump fandom casts him in a dubious light, it's still not cool to dance on someone's unemployment, at least officially. Personally, I won't necessarily miss him, and I'm angry that potentially part of Bryan's last few months in a WWE ring (his contract expires in September) was wasted on him rather than going against someone who could provide a better canvas for him should he end up leaving after SummerSlam. But life is life, I guess.

RIP Big Van Vader

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The best big man in wrestling history has passed away
Photo Credit: WWE.com
Leon White, known best as Big Van Vader, has passed away at the age of 63. According to his son using his Twitter, White died Monday night after a protracted bout with pneumonia. He is survived by his two children and his ex-wife. White was most famous for his main event runs in New Japan Pro Wrestling and World Championship Wrestling, but he wrestled for several notable companies in his career. He is and will forever be known as the prototypical modern hoss, a superheavyweight wrestler whose agility put him in a class with wrestlers a quarter of his size.

White began his adult life as a football player. He was an All-American offensive lineman at the University of Colorado and had a short career in the National Football League with the Los Angeles Rams. After his NFL career ended, he began to train for a wrestling career. He got his start in the American Wrestling Association, but he gained his biggest early notoriety in New Japan Pro Wrestling. He rose to the main event, capturing the IWGP World Heavyweight Championship and gaining the attention of WCW. He was an awesome force of nature in the early '90s, terrorizing WCW with big feuds against Sting, Ric Flair, and most famously Cactus Jack. His matches against Mick Foley's most hardcore persona were renowned for bloody violence. It was in this feud where Foley lost part of his ear. Around this time, he also dabbled in acting, not only as a foil to Hulk Hogan in his Thunder in Paradise series, but on Boy Meets World, where he played the father of one of main character Corey Matthews' classmates.

Vader left WCW and went to WWE, where political machinations left him floundering creatively, especially against Shawn Michaels. The most notable portion of his WWE career came when the company toured Kuwait and he flipped over a table on a talk show when asked if wrestling was fake. He was detained and fined for the outburst. After leaving WWE, Vader would bounce around various promotions, including All-Japan Pro Wrestling, Pro Wrestling NOAH, and TNA. Most recently, he got into a feud with Will Ospreay that started as a Twitter beef that turned into a date for Revolution Pro Wrestling where he beat Ospreay in a match. He revealed last year that he was diagnosed with congestive heart failure from the toll years of wrestling and football put on his body. He received surgery and hoped to continue his career into his twilight years.

Vader had a relatively brief time on top of the wrestling world. Thanks to an ill-advised in hindsight jump to WWE, his career was stopped nearly in its tracks. The damage the feud with Michaels did to his character was huge, and it remains one of the most egregious booking decisions of the tail end of the New Generation. Remember Vader not for his time in WWE except for the rare bright spots. Remember him for how titanic he was for two influential and successful companies in the early '90s, where he was the closest approximation to a real life version of The Juggernaut as one could get. The footage is easily accessible. Massive amounts of WCW footage is available on WWE Network, and New Japan World's archives are sure to contain some gems. Just be warned that if you come across a match between the big man and Stan Hansen, you might see the infamous moment where his eye pops out of its socket.

Whenever someone dies, the urge to lay superlatives at their feet is great, but with Vader, those superlatives are deserved. The amount of influence he has even today is staggering. Anytime you see a big guy head up to the top to do more than a splash or a headbutt, that's Vader living in his head and guiding him. Anytime someone just goes in hard with clubbing, swinging arms or throwing their body with no caution whatsoever, that wrestler is trying to do Leon White proud. I don't know if Vader is the most influential wrestler ever, but I'm struggling to come up with individual names that would compete with him.

Dying at age 63 is still a bit too young nowadays, even for a guy his size. Still, the amount of work he put into his wrestling career up to the very end was worthy of praise and hagiography. Very few wrestlers can say they left the same mark on the business that he did, and that's why the news of his passing feels like it has left a meteor-sized crater in the hearts and minds of wrestling fans all over the globe. Rest in peace, Big Van Vader. Rest in power.

The Vanilla Midget Report, Vol. 3, Issue 1

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A mega main event
Photo Credit: WWE.com
Well, well, well, what has arrived here on TWB? It's the return of the Vanilla Midget Report! Yes, I've taken to watching 205 Live, well, live, and now, I've got thoughts. Oh have I got thoughts.

A Chikara Reunion!

The first match on this week's episode featured two warring factions renewing hostilities, the Lucha House Party and the unnamed grumps of varying grappling providence. If you counted Penelope, the Drew Gulak-faced pinata, the House Party outnumbered the Jack Gallagher-less foes two-to-one. In addition to being notable for how unintentionally problematic the story has become with the hostile environment towards Mexican and other Latin American immigrants into this country, it was also a match that could have happened in Chikara before. Lince Dorado and Gulak got in the ring, and unsurprisingly, Good Lucha Things™ happened.

While both Gallagher and The Brian Kendrick are talented workers who can handle a variance in styles, they're not specially suited for lucha guys like Gulak. You can see it in how well he acts as a canvas, or in more technical parlance, a base, for especially Dorado in this instance. Many times, if a wrestler who has lucha-inspired offense ends up flubbing something in the rings, the problem can be traced to the person basing for them. For example, even though Sasha Banks isn't exactly what one thinks when they ponder luchadoras, whenever she tries a fancy armdrag on Charlotte Flair, it looks bad because the latter's ability at taking said move rates about a negative six on a scale of one to ten.

So the match was about what one might expect from two Chikara alumni who received some extra polish by going on the road with WWE for a few years now as a baseline. It wasn't spectacular in that it didn't have razzle-dazzle. But the big spots had a little extra pop, like the school boy from Gulak into the bottom rope out of the ring. It was, in a way, the platonic opening match. It didn't steal the show, but in better circumstances, it might've gotten the crowd going. Interference at the end to continue the feud into a trios elimination match next week was to be expected, because these guys seem to be wanting to open the show every week. Then again, when you've got six preternaturally talented workers who know how to work at pace and with crowd-pleasing (or in the rudos case, crowd-riling) antics, you could do a ton worse.

You Can't Make Me Write About TJP

Not gonna do it. Nope.

Straight Dopamine

So, Mustafa Ali, Hideo Itami, and Buddy Murphy might be good at this wrestling thing, y'know? If you want concrete evidence, the main event on this show is about as rock solid as it comes. It seems every time I've peeked into 205 Live before now, the main events delivered on this level, which is good and necessary since the cruiserweights aren't on RAW anymore and the PPV pre-show seems to be their Network special event ceiling. Luckily, among these three as well as the Champion Cedric Alexander and guys like Akira Tozawa, the division is in good hands.

The match started off as a passion play surrounding the perceived lack of respect around Itami for being an innovator and a legend. Tom Phillips said it out loud himself, that so many WWE wrestlers have boosted Itami's early-career stuff for their own use, whether it be the obvious ones like Daniel Bryan and CM Punk or others who just watched a lot of Pro Wrestling NOAH in the middle and end of the last decade. He worked with a massive chip on his shoulder, and both Murphy and Ali framed the story well with their pissing match over whose turn it was cause pain and damage to Itami's soft tissue with their various limbs and appendages.

But the way it worked itself into a frothy frenzy was almost a masterful display of pacing, of escalation. The way the match went from a typical WWE three-way with one guy resting on the floor to a parade of intertwined counters among three men to Ali's adrenaline-soaked comeback that led to the imploding 450 tease to the tete-a-tete in the corner with all three men into Ali hitting a regular 450 on both wrestlers was one hell of a rollercoaster ride, and that only served as the appetizer to the two big bomb spots at the end. Ali giving the Spanish Fly off the announce table to Murphy provided the hopeful rush that the true hero in the match was going to escape with the winner's purse, only to have Itami rip it away with underhanded tactics, stripping the bottom turnbuckle pad away and crushing Ali's skull with his basement dropkick.

Especially the finish, it was the kind of thing that modern wrestling in all its escalated glory and excess, for better or worse, provides in its highest state. I could feel the hormones, the dopamine or the endorphins or whatever, releasing in my head while watching these three men put on a show of carnage and courage. That's all anyone wants from their entertainment, hormonal satisfaction, an involuntary physical response to stimuli. Wrestling at its best makes you feel something, and this week's 205 Live, judging from my own personal reaction, was wrestling at its best.

NJPW's G1 Climax 28: Announcements and Anticipation

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It's G1 time, baybay, so that means Okada's gone eat
Photo Credit: Scott Finkelstein
New Japan Pro Wrestling likes to get us good and ready for the G1 Climax, the annual round-robin tournament that, yes, sounds like a sex act. The tournament starts on July 14th, but like any good pro wrestling promotion would, NJPW made the match announcements about a month in advance, presumably so we can speculate on potential winners until we drive ourselves insane.

But rather than trying to think one step ahead of Gedo and his almighty booking prowess, perhaps we should step back and bask in the greatness that we will get to see in these 91 (YEP, 91) matches. "But Elliot," you say, "there is no way all 91 matches will be great." And you are quite correct. So let's take a look at the most interesting, juiciest matchup from each night, so you all can plan your July and August accordingly.

Night 1, 7/14 - Kazuchika Okada vs. Jay White
The Ol' Switchblade is the most ill-fitting member of the CHAOS stable, of which Okada is the nominal leader. This will be a big test for the young White to show what he's made of. NJPW likes to pull a couple big surprises on the first nights of the G1, so don't be surprised if White takes this one.

Night 2, 7/15 - Tetsuya Naito vs. Kenny Omega
This was the final match of last year's G1, which Naito won. I don't think Omega is going to lose his first match since winning the IWGP Championship, but this will still be hotly contested.

Night 3, 7/16 - Togi Makabe vs. Minoru Suzuki
Makabe is mostly unpopular with the American audience, but he gets put in big spots like this because he is a minor celebrity in Japan. But he also can be relied upon for a good Strong Style match every now and then, and Suzuki will be the perfect guy to match him stiff strike for stiff strike.

Night 4, 7/19 - Toru Yano vs. Zack Sabre Jr.
Sabre Jr. disposed of Yano in a tag match at Dominion, and he did so by making Yano tap out while doing Yano's signature "Who, Me?" hand gesture. Perhaps this has ignited that special fury in Yano's heart, and he'll be a killer here. Or maybe he'll still be a goofball. Either way, it should be fun.

Night 5, 7/20 - Hiroshi Tanahashi vs. Bad Luck Fale
It needs to be mentioned that Fale has lost about 40 pounds, which is bonkers. Maybe he and Tanahashi can have a pose-down instead of a match, just like Ultimate Warrior and Rick Rude at the '89 Royal Rumble.

Night 6, 7/21 - Hirooki Goto vs. Tomohiro Ishii
Expect lots of headbutts and chopped throats. There will be pain.

Night 7, 7/22 - Michael Elgin vs. YOSHI-HASHI
Or like the Ben Folds Five song, "The Battle of Who Could Care Less." Let's see if they can pull off a miracle and make this worthwhile.

Night 8, 7/26 - SANADA vs. Kota Ibushi
We're all just gonna faint due to the overwhelming amount of attractiveness in the ring.

Night 9, 7/27 - EVIL vs. Hangman Page
EVIL and Page are two young guys who will be out to prove themselves, and on an otherwise boring night of matches, they'll probably steal the show.

Night 10, 7/28 - Tomohiro Ishii vs. Kota Ibushi
I'll admit some bias here, as these two guys are some of my absolute favorites. You just know Ishii will be looking to smash up Ibushi's pretty face.

Night 11, 7/30 - EVIL vs. Minoru Suzuki
EVIL and Suzuki absolutely destroyed each other last year, and we should expect no different this time.

Night 12, 8/1 - Kenny Omega vs. Zack Sabre Jr.
Zack Sabre Jr. is one of the best in the world at getting his opponent to adjust to his style and still put on a compelling match. I really can't wait to see what kind of magic he and Omega can create together.

Night 13, 8/2 - Kazuchika Okada vs. Minoru Suzuki
In last year's G1, these two went to a 30-minute draw after slapping each other in the face so much that both guys looked like they were about to descend into madness. Suzuki always seems extra motivated when he's in the ring with the young ex-champion, so he'll probably have more slappin' on his mind in this one.

Night 14, 8/4 - Tomohiro Ishii vs. Kenny Omega
I saw these guys put on a dang clinic in person at last year's G1 Special in Long Beach, so anytime these guys get together again it will be a lovely reminder of one of the best nights of my life (behind getting married and the birth of my child and all that good stuff, but barely).

Night 15, 8/5 - Kazuchika Okada vs. EVIL
EVIL became the first person in over a year to pin Okada's shoulders to the mat in a surprise victory during last year's G1. Okada did get his win back a couple months later, but EVIL's win means he knows he can put down Okada at a moment's notice.

Night 16, 8/8 - Tetsuya Naito vs. SANADA
EVIL faced SANADA last year, Naito faced EVIL the year before, which means it's now time to do the only other remaining matchup between heavyweight members of Los Ingobernables de Japon. There will likely be some stalling and an extended "feeling out" process, but with the match being this late in the tournament (and Naito likely in the running for winning his block), don't expect them to go easy on each other.

Night 17, 8/10 - Hiroshi Tanahashi vs. Kazuchika Okada
If you haven't figured it out yet, NJPW books the final nights of the tournament with optimal matchups in mind. The expected frontrunners will probably go against each other, and when you've got Tanahashi and Okada wrestling on the final night of the A Block, you can easily do the math. And what sweet, incredibly wrestled math it will be.

Night 18, 8/11 - Kenny Omega vs. Kota Ibushi
For the first time since 2012, the Golden Lovers will (if we're using WWE parlance) explode, but it's more likely they will have a ferociously competitive match that ends in one of their famed hugs that remind us this horrific world still has some love in it. I'm already exhausted and joyous just thinking about it.

And then, the final night on August 12th will see the winner of the A Block going against the winner of the B Block. Let's wait until a little closer to the actual tournament before predictions. Again, all we really need right now is to wait, and to be happy.

The Resurrection of Pierre Carl Ouellet

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The hottest wrestler in America right now is the best story in wrestling
Photo Credit: Jay Lee Photography
It's June 20, 2018. The hottest property in all of American wrestling right now is a man in his 50s who was supporting player in the bright color-festooned New Generation era of WWE, one that Vince McMahon probably wants to forget and one that Mike Quackenbush can't get enough of. In an indie scene where sophisticated high flyers and UWFi-inspired grapplers make headway, no one can seem to get enough of the barrel-chested uncle-figure who covers his wild and wide eyes with Aviators on his way to the ring. Pierre Carl Ouellet, or PCO as is the hip shorthand states, has made one of the most improbable resurfacings in independent pro wrestling.

To be completely accurate though, PCO never really did stop wrestling after his run as both a non-mountie and a pirate came to an end. Yeah, he did retire in 2011, but everyone needs a break every once in awhile. Even though he sorta was still national during his TNA run, he always played second fiddle to the main event guys at best. Since his comeback though, he started to get the rumblings going, lighting the beacons in the far realms if you will. People who pay attention to the shindies and the regions that aren't exactly hip started noticing that the old Quebecer was putting in work again. That word just kept spreading and spreading and spreading until it hit the ears of the people running Game Changer Wrestling.

Even though it started well beforehand, the real fuse caught the match flame at Joey Janela's Spring Break II, WrestleMania weekend in New Orleans. Booking him vs. WALTER just felt like the best way to reintroduce PCO back into the habitat, y'know? At worst, Spring Break isn't about match quality, it's about burning that candle on both ends, the weird, the wild, the wonderful. At best, most thought PCO would get some old man strength feats and use his veteran wile to take an ass-whipping befitting the then-future Pro Wrestling Guerrilla World Champion.

To call what he actually had in his bag of tricks a pleasant surprise would be too placid, too passive. PCO threw at the world a fucking comet of barbarism and heart like a cast iron pan he had just bent in one of his infamous training videos. He came out of the gate with the energy of a man half his age, eyes affixed to the massive Austrian across the ring, and he charged in with no regard for anyone's life, not his, not WALTER's not anyone's in the crowd. He stood up to all the chops and he still fired back even as his chest turned a deathlike shade of black. Whether or not he won was immaterial. It's all booking, right? But the fact that he stood in with one of the most fearsome and physically taxing pro wrestlers in the world right now and not only looked good for a nostalgia act, but like one of the best wrestlers on the planet was a testament to several things, all of them incredible.

Had the story ended there, PCO would still have gone down as a folk hero in this weird and wild year of professional wrestling. Of course, it didn't, because PCO wasn't going to let it. Promotions across the country weren't. You don't stand up to the face of a titan, spit in it, and amass an army of undying and thunderous support behind you and call it a day. You keep going, because you don't know how long your body will let you, and you suddenly have new, interesting worlds to conquer. They aren't necessarily the big worlds anymore. He's been there and done that. I'm sure if WWE comes calling to him again, he'd entertain the phone call and go back. Even as recently as the beginning of this decade, he held out hope that he'd go back and win the biggest prize, no matter how unrealistic the goal was.

But really, for as lucrative as it might be, would heading to Vince McMahon's freakshow again to get thrown into the narrative swamps and weekly meatgrinding be as thrilling as working boutique, goddamn artistic shows like Joey Janela's Lost in New York against Matt Riddle? Would it give him the sheer satisfaction of unleashing all the violence living in his soul against Nick Gage in NOVA Pro Wrestling? Would it give him any of the cred that comes with his most recent booking as the first announced wrestler for Pro Wrestling Guerrilla's Battle of Los Angeles? The list goes on and on — Chikara, Limitless Wrestling, Absolute Intense Wrestling, Black Label Pro. It's a veritable who's who of promotions in this country with cool factor.

I mean, I'm not PCO or Destro or anyone close to him, but just looking with an outsider's eye, he appears to be having the time of his life. Those workout videos where he does just the most psychotic workout shit a man can do without doing harm to another human being are him reaching the pinnacle of his potential as a pro wrestling character. People are flocking to him on social media, and he gleefully retweets them and thanks them like they're the ones doing him a favor by recognizing what he's doing.

What's really happening here is that PCO is doing the wrestling world a favor. He's a legitimate shooting star, streaking across the sky outside of the WWE gravitational pull. He's both a warm blanket from a time past but his new lease on life as a pro wrestler has given him the ability to breathe fresh air into any arena he steps into. Few people could have had the unique impact that he's having right now, but the fact that PCO of all people is the one making it feels oddly right. His comeback is wrestling, and it's one that he and all the fans who have flocked to see him deserve.

The Blog of the Gods: Something About The Cueto Family

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Hey, Pentagón Dark beat Matanza Cueto one-on-one, no biggie
Photo Credit: Scott Finkelstein
Lucha Underground returned last week for its fourth season with Aztec Warfare IV. Pentagón Dark successfully defended his Lucha Underground Championship successfully in the match, the first ever titleholder to escape it unscathed. New faces came and old ones were written off, and more of the same happened this week. Welcome to the Blog of the Gods, y'all.

Roid Rage, The Wrestler

Killshot and The Mack were thrust with a new partner whom they did not voluntarily choose in Son of Havoc, and the three of them had to coexist this week. Yet, that story thread kinda disappeared in the aether because hey, Famous B went out and bought himself some new clients. While Sammy Guevara is perhaps the hottest prospect, the match was clearly a way to set up the former Jack Swagger, now "Savage" Jake Strong, as a future contender for the supernatural cast of characters in the show's main event. Although he sorta left WWE on a decidedly downward trajectory, his fresh start in a far grimier setting seemed to give him a burst of fresh air. I think it really hit the crescendo when he had Killshot in the ankle lock and The Mack came in and just pimp-slapped him. He flinched momentarily and shot this wild-eyed look at Mack, like he walked in on him giving his girl a bit of the Chocolate Thunder. It was in that moment that I realized what Strong was and how he'd fit in with the motley crew of skeletons and golemesque reapers and deranged possible cannibals and a literal mythical reincarnating bird made flesh. Basically, he was Captain America in the most fucked up sense possible.

Watching him just dispatch Big Bad Steve, Guevara, and B in the post-match hammered that point home. The vacancy in the eyes, the analgesic swatting of kicks and punches like they were insects landing on him, the insatiable thirst for imagined retribution until each and every single payer lay broken on the canvas, those actions weren't the ones of someone who was sober. But unlike the moral conscience of the Marvel Universe (unless he's written by Nick Spencer, but fuck that guy), the source of his power isn't some kind of super soldier serum, but it's steroids, or some mix of steroids and PCP. I mean, I haven't read spoilers, but I'd be shocked if it wasn't at least heavily implied Strong had a performance enhancer hookup, and for said PEDs to work in the Temple not how they work in real life, but how dickhead sportswriters on witch hunts for home run kings imagine they work. It is a brilliant stroke, because the Temple already has enough fantasy and mystery overpowering its big-time players. Adding in some mad science is a welcome change of pace. I think Jake Strong will fit in nicely in the Temple.

A Dance of Dragons

The prestige wrestling portion of the program unsurprisingly featured El Dragon Azteca, Jr. and Drago battling over the first of seven medallions that comprise the Gift of the Gods Championship, and boy was it lucha libre excellence distilled into a television sprint. The two dragon-themed wrestlers left me wanting a bit more, but man, what they ended up putting on as a show was sleek, smooth, and silky. I could have watched them for a half-hour. That being said, outside of the implications of Azteca winning the medallion, the segment on the whole seemed to focus on the tenuous grip Kobra Moon has on her perch. She ended up mad at Drago for losing the match, but the hens came home to roost from her actions of illegally siccing Vibora on Johnny Mundo and causing him to get bounced from Aztec Warfare. It seems like she's at the center of more than a few threads going forward, and all of them pulling on something greater.

Cueto Down, Cueto Down

So, for those whose memories are a bit hazy, Dario Cueto is, well, muerte. In his place as Jefe of Lucha Underground is his father, Antonio, who is played by the same guy with makeup, prostheses, and a really bad scratchy accent. Either way, other than cosmetics, Antonio seems to be less patient than his son, and way less subtle about things. He's also got some kind of mystical aura behind him that belies his feeble exterior, because Matanza Cueto was straight up scared of him after losing his first ever one-on-one match in his tenure there. Obviously, Dario's dealings in the dark arts were well-documented, but at no point did he give off any sort vibe that he was in control of the powers he served. Antonio, however, feels like he's at the epicenter, conducting the dispersal of said powers like a symphony. It's all connected: Catrina's life force, the Gauntlet of the Gods, whatever fuels Matanza. Antonio and his sacred relic with the bullhead obviously play into things, and it almost feels too obvious how it all ties together that it's setting up for a giant swerve, perhaps starting in motion next week with Jeremiah Crane's insertion into the Fenix/Mil Muertes GRAVE CONSEQUENCES match.

Speaking of the main event match itself, it was disappointing in that for the first time, Matanza wrestled like the guy under his mask rather than the separate entity of a bloodthirsty automaton bent on destruction and death. I mean, the guy underneath the hood is good. REALLY good. But feeling like a match that could've happened in a random indie on the East Coast maybe telegraphed the decision a bit too hard? I'm not one to complain about the promotion's Champion being put over too hard, and honestly, if anyone could wreck Baby Huey But Homicidal, it should be the magical arm-breaking skeleton. I just wish I could've seen more from Matanza here, y'know?

Twitter Request Line, Vol. 240

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"And on guitar, Sleazy Kyle!"
Photo Credit: WWE.com
It's Twitter Request Line time, everyone! I take to Twitter to get questions about issues in wrestling, past and present, and answer them on here because 140 characters can't restrain me, fool! If you don't know already, follow me @tholzerman, and wait for the call on Wednesday to ask your questions. Hash-tag your questions #TweetBag, and look for the bag to drop Thursday afternoon (most of the time). Without further ado, here are your questions and my answers:

It all depends on what style of music you like better. Are you more a fan of hair metal, with the (possibly high on cocaine) guitar player with wide eyes, jamming out like the guitar is an extension of his penis with a fishing pole attached looking to land a hottie in the front row? Or do you like blues-rock, where the guitarist is looking down at his instrument out of habit from his depression (possibly drunk or high on heroin), but smiling because the music is the one thing that makes him happy in his life? If you like the former, Tanahashi's your man. If it's the latter, it's all Sleazy Kyle. Personally, I'm more a blues-rock guy, so O'Reilly is my choice all the way.

Oh, you certainly are. Michaels may even tell you himself that he was a shithead before he kicked the drugs, and the Vader program was probably right at the peak of his high, before the injuries and the Bret Hart-induced mutual paranoia and stuff took him down. Big oaf from "down there" came up and wants to work with the fancy Northerners? Oh, HBK probably had a thing or two to say about that. Vader jumped at the wrong time. Hell, you could say Vader came up at absolutely the wrong time, because World Championship Wrestling, though critically acclaimed, wasn't lighting the world on fire with him on top, which isn't necessarily his fault, but a symptom of the business at the time. If he'd eschewed the NFL altogether and went into wrestling, he definitely could have been a touring NWA Champion or a Mania headliner against Hulk Hogan. Sometimes, fate is just cruel in that regard.

I'm going to try to keep this as realistic as possible, so no one currently signed to Ring of Honor or STARDOM or the like.

Returnees from Last Year: Toni Storm, Bianca Belair, Lacey "Would Like to Speak to a Manager" Evans, Kairi Sane, Dakota Kai, Candice LeRae, Mercedes Martinez, Piper Niven, Rhea Ripley, Taynara Conti, Xia Li, Kay Lee Ray, Jazzy Gabert

Performance Center Bodies: Kacy Catanzaro (Basically, she's turned some heads down on the Florida loop already, so she's the only person that didn't run from last year without prior experience that I'd like to see come on over for the festivities), Deonna Purrazzo

North American Indies: Nicole Matthews, Samantha Heights, Hudson Envy, Oceanea (let's get weird), Jordynne Grace, LuFisto

European Indies: Jinny Couture, Saraya Knight

Japan: Meiko Satomura, Io Shirai, Aja Kong, Mayumi Ozaki

Australia: Madison Eagles

Honored Alumnae: Jazz, Eve Torres, Molly Holly, Beth Phoenix

Of course, I doubt the MYC is going to look exactly like that. I'm sure folks like Kavita Devi or Vanessa Borne will be back, and maybe other Performance Center bodies will be in like Shadia Bseiso. Perhaps the indie influx will be different, and more European folks will be in. But given the parameters, I'd pick that 32.

I hate to frame it like this, but since WWE has two major World-level titles again, the pick is under. WWE has given Black wrestlers the rub when it didn't have to give one of them the "only" top title, which shows the company's hella-levels of racism. Even if it only had one, Paul Levesque and Stephanie McMahon are into being woke and having firsts, so in some way, they'd find a way to put the strap on Big E or Xavier Woods or whomever eventually. I know it's not easy being a Black fan of WWE, past, present, or future. I can't feel that at all, but maybe things will look up as Vince McMahon gets older and more preoccupied with a legacy outside of wrestling. Or maybe the revolution will come and wrestling will globalize and the people in charge will truly select top talent based on skill level. The hope is always there!

This question is where I show my ass and tell you that it's been a long, long time since I've seen a full Vader match. I know, I'm a terrible wrestling fan, especially one who loves the HOSS like I do, and of course, I was more a WWE kid growing up, so I missed PEAK VADER. Most of my Vader exposure of late has come from gifs and clips. But I will say do I recall liking his superviolent brawls with Cactus Jack. Go check them out. Hell, go check all the Vader out you can. I know I probably should.

I outlined the field above that I'd most like, but among them, the ones I'd probably want the most are the noted alumnae. The Women's Royal Rumble showed that most of them not named Kelly Kelly could still go, and Kelly Kelly, well, she was bad but she at least put her whole ass into trying and failing, which is all you can ask for. I mean, all four of the above would be so cool, but Jazz would provide such a mean element to the tournament that no one else could add. Let her advance a round and put over Mercedes Martinez in a quarterfinal match that would rival the stiffest, most intense brawls you'd see in any company.

I wouldn't be shocked if Levesque didn't try to run both himself, at least from the start. He could tailor the taping schedule so that the Florida/American tapings were on different weeks than the English ones. In due time though, especially after he ends up launching NXT Middle East, NXT Asia, NXT Mexico, and NXT Crab Nebula, he'd probably name successors/consiglieres. For NXT UK, my guess is it would either be William Regal or Robbie Brookside. They're already confidants of his over here, so they'd make sense since they'd know his vision and have their own way of viewing the homeland.

The WWE Asian Invasion Begins

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Itami (left) is going home to NOAH, but that's bad news for everyone in Asia
Photo Credit: WWE.com
Earlier this week, WWE officially announced a home base in the United Kingdom. NXT UK is the first official promotional subsection of WWE to specifically not be "worldwide" like the main roster and regular ol' NXT are. This development didn't emerge out of the aether in an instant. It started with WWE partnering with Insane Championship Wrestling and PROGRESS and then establishing a United Kingdom Championship, complete with those who wanted to vie for it signing prohibitive deals that didn't make them exclusive WWE independent contractors, but that gave them a list of promotions they could and, more importantly, couldn't work for. It appears the process has begun anew in Asia.

Reported in this week's Wrestling Observer, WWE has reached a deal to allow Hideo Itami, the wrestler formerly known as KENTA, to wrestle in the company where he became famous under that name, Pro Wrestling NOAH. Much like the deals where wrestlers like Kassius Ohno and Dakota Kai wrestled for PROGRESS and ICW, Itami will remain a WWE independent contractor doing these approved outside dates.

The news might seem minor at first. Hey, WWE is letting a guy rotting in literal purgatory (as much as I love 205 Live, creatively, it's a dead end) go back to his home stomping grounds and actually be an independent contractor for once instead of a glorified employee. However, the motives are never that altruistic when it comes to corporate concerns. This kind of thing is exactly how the reverse British Invasion started. WWE comes to a healthily established promotion, offers them some money for a corporate partnership, and before you know it, they have satellite offices and are keeping talent from working unionized gigs. WWE was able to infiltrate the British scene with the two biggest players, most likely because it was still relatively new. Getting into Japan, a country with a tradition of pro wrestling effectively as deep as America's, would take a bit more finagling. As fate would turn out, NOAH was right there for the taking.

See, NOAH is in dire straits, and has been even before the death of its founder, Mitsuharu Misawa. It was hit hard with the decline in Japanese wrestling in the middle of the last decade, and unlike New Japan, DDT, Dragon Gate, or even the newly resurgent All-Japan, it hasn't really picked up much lately either. New Japan even had a working relationship with it a few years ago, sending Jado over to book and letting them borrow the Suzuki-Gun stable as talent, but that went poorly. Suzuki-Gun's nWo-esque run torpedoed the company even further. That's why WWE coming to call is enticing. NOAH is down and out, and the rich Americans come across the Pacific with fuck money to spare. Oh, and they're gonna allow only the biggest active alumnus of the company work a few dates. I can see why they would take the deal without even blinking.

Of course, Japan won't be the only target. Greater East Asia is a mostly untapped market with a lot of potential customers. WWE has wanted to infiltrate China for awhile now, and the first incursions — the tour and the Chinese Performance Center recruits (smoke one for Leo Gao's WWE career) — felt like slight probing. Establishing a base in Japan will almost certainly provide mobility into China, as well as places like the Korean peninsula, the Philippines, and Southeast Asia. Once that base is established, you can kiss smaller projects incurring into China like CIMA's/Dragon Gate's Oriental Wrestling Entertainment, which for a couple of weeks was all anyone on Wrestling Twitter would (rightly) talk about, goodbye. You could also start sweating bullets for any wrestling company in Japan smaller than New Japan to be able to thrive even on the level they're at now. Folks were defensive about New Japan theoretically raiding smaller joshi promotions for talent if it wanted its own division? WWE is going to do it for real, and it won't discriminate by gender either.

I don't think it's alarmism to say NXT Asia is not a matter of if but when, and if it's any modicum of successful, you can bet your bottom dollar Mexico is next. The endgame of Vince McMahon's push to go national is nigh, and in fact, if you can't see the beginnings of it taking root, you need to open your eyes a little wider. The world domination of wrestling by WWE is at hand, and I'm not sure anyone can do much about it except maybe "not go to WWE-branded shows." Asking for that stateside or even in the UK is laughable, but maybe anything further than loaning NOAH the use of Itami's services falling flat might not be so crazy. Wrestling is great, but it is always at its best when more than one person gets a say in how it's shaped and formed. WWE in America has its place, but for nearly 20 years, it has taken too large a share. If it were to engulf the entire globe with its presence, it would be the greatest tragedy I could think of in a macro sense.

Keep Yelling

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Keep the pressure on promotions not to book this bigot
Photo Credit: Scott Finkelstein
Sometimes, it can seem futile. A promotion you like books someone like SHLAK or Rich Swann. You voice your concern, but the promotion ignores you, and worse, a throng of other fans who aren't timid and who will flock to lick the boots of promoters who think that these edgy wrestlers will bring in dollars because controversy creates cash or some fucking bullshit. Eric Bischoff is a stain, really he is, but I digress. Anyway, even if those people who feel emboldened because they have the support of what passes as capital and in most cases labor in wrestling are in the minority, they get their way, because a vast majority of people in said industry would gain the highest marks for not seeing any forest for the trees.

Sometimes though, the message gets through. For example, even though New Japan Pro Wrestling re-signed Michael Elgin to a multiyear deal and gave him a test run with the NEVER Openweight Championship, he's curiously absent from any show taking place in the United States. One would think that New Japan trying to expand in this country would want as many American stars on the show as possible, but he is absolutely nowhere to be found. As it would turn out, even the domestic violence-enabling people in New Japan's front office preparing to welcome Tomoaki Honma back with open arms know that a dude who covered for a rapist, harassed the accuser, and has gone so far as to sue said accuser for defamation is a heinously awful look. That probably doesn't happen if fans around the local haunts who used to book Elgin didn't vitriolically revolt against him, whether as advertised or when he showed up to the arenas as a surprise booking.

In that instance, yelling worked. It will continue to work as long as people remember the reasons for the outcry. Elgin behaved in a despicable manner, and people recognized it and acted accordingly. Of course, people have the tendency to forget about why they don't like someone, especially if they're White, straight, and identify with the penis with which they were born as their given gender. But if people remember, and they keep the pressure on, they keep yelling at people the reasons why, the toxic people will remain toxic. It doesn't matter how good they are or how much value they bring in, if their presence causes that much of a revulsion, they will be gone.

Hell, it even worked with SHLAK in A Matter of Pride Wrestling, the LGBTQ+-friendly promotion that booked him without knowing his, uh, past. People spoke up, and he got dropped. The thing is, AMoPW feels like it stakes a sort of reputation on being "woke" or at least appearing as such. The thing about places like Game Changer Wrestling and Hardcore Hustle Organization is that they have no real qualms about reveling in the bad reputations they have merely by their incarnation as deathmatch promotions. Or maybe that isn't the case. Perhaps SHLAK has been ingrained there for so long that he's been able to win the rest of his locker room peers over by being nice to them. Those people with whom he's well-acquainted don't have reason to acquiesce to outside pressure. I really don't know.

However, the people who are in charge for whatever reason are willing to double down on a guy like SHLAK that they see as "their guy." Now, one can believe someone has changed or is rehabbed if given good reason. For example, Nick Gage, another GCW regular with a checkered past, robbed a bank. However, he's cleaned up his act after a stint in prison. He kicked the hard drugs that led him down the path of desperation to rob said bank, and beyond a reasonable doubt, he's shown that he's been rehabilitated. If SHLAK showed any attempt at remediating his past, well, it's not been public. I'll let JR Goldberg run the list down, since he's done so on Twitter in concise manner:

That last one is a new entry in the ledger, as it just surfaced over the weekend. He and his significant other, Maria Manic, decided they'd have a larf and name their tag team after this thing that is rarely prosecuted and claims the lives and livelihoods of women across the fucking globe. Their response to the whole thing has been to claim the South Park defense as a moral high ground, that they're being "edgy" in an attempt to "save" wrestling. I don't know from whom they want to save it, but it's certainly not from the people who really threaten it. I mean, if you think being able to say the f-word freely and making domestic violence survivors in the audience feel hella uncomfortable is going to stop Vince McMahon's global march towards wrestling hegemony, be my guest. Maybe that kind of thing will "save" wrestling inasmuch as it will kill any interest in wrestling if it becomes widespread enough so that McMahon doesn't have an audience left to glom.

The intent behind those statements, however, was to bring wrestling to whole new levels by bringing back the edgelord audience that populated WWE arenas during the Attitude Era. In reality, that kind of shock-jock purveyance of entertainment turns more people away than it brings in. The problem is, again, the people who enjoy it are louder than those who'd rather take their money and spend it on something that doesn't remind them of horrific things in their lives, whether it be in the wrestling ring or in some other medium of entertainment. I mean, SHLAK won't even denounce Nazis without denouncing anti-Nazis. Would you feel safe around that guy? Make no mistake about it, he's a bad person making everyone around him justifiably uncomfortable, or at least he should be making them feel as such. Even passing to acknowledge a Nazi as a good person is ahistorical, immoral, and flat out wrong. If a wrestling promotion can't even denounce the guy who used to hang around with Nazis, then what's the use of patronizing it? I mean, Trevor Noah on the supposedly "woke"Daily Show pulled the same shit, calling antifa "Vegan ISIS." SHLAK can't even be assed to couch his affiliations and feelings in decency like that.

That's why the good people need to be louder. The people who don't want their entertainment medium overrun with awful people need to keep yelling, keep speaking up so that promoters and wrestlers know that these people, the SHLAKs of the world, the Michael Elgins, even the Tomoaki Honmas and Brams, the ones who keep showing blatant disregard for large swaths of the human race with no real inkling of remorse, are not welcome. Trust me, you are not the bad people for caring about the place you want to spend your leisure time being safe for you and for everyone you care about. I'm not even talking about "woke" or "politically agreeable." Wrestling fans, real cool people who deserve more than to have their traumas shoved back into their faces, don't feel safe at shows, and if that doesn't outrage you, then I don't know what to say.

The reason you keep yelling and keep awareness up is that it works. You raise enough awareness and convince enough people, and either that person who makes the shows toxic stops getting booked or the people stop coming to the shows where that wrestler is booked. Sometimes, it can be a war of attrition, and you may not see results right away. Lack of results doesn't mean you're not right though. These battles can corrode your will and devour your soul with how little a return they can provide sometimes. But you keep yelling, not just because it will work, even though in some cases especially in wrestling, it has worked, but you keep yelling because it is right, because it helps boost the people who can't boost themselves, because if you stop yelling, the toxic people win.

Wrestling does not need to be saved from itself. Even ignoring the Looming McMahon Hegemony, what it needs to be saved from is the idea that good people don't have a place inside of it, or that a neo-Nazi or a domestic abuser or a rapist can find solace in a locker room because they are nice to their peers. Even if it means rejecting promotions that put out artistically valid content, or at the very least criticizing them loudly in a public forum, then you do it. Every promotion has skeletons that it needs to clean out. The entire human race is filled with a pastiche of good and bad, and nothing is above reproach even. Wrestling just seems to have concentrated the bad for the sake of making money, and the only thing that can ward it off is direct action. Sometimes, the most direct action you can take is saying something, saying it loudly and forcefully. Even if you, yourself cannot yell all the time, try to support the people who have the wherewithal to keep doing so. But the only way the good people win is by speaking up. Either the toxicity exits wrestling, or wrestling ceases to exist under the weight of the depraved people it chooses to house inside of it over the general good. Then either we, as in myself and all the decent people, are free to choose another hobby to spend our time or choose to rebuild it from the ground up.

The Wrestling Blog's OFFICIAL Best in the World Rankings for June 25, 2018

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It's like a Mortal Kombat vs. screen!
Photo Credit: NJPW Instagram
Welcome to a feature I like to call "Best in the World" rankings. They're not traditional power rankings per se, but they're rankings to see who is really the best in the world, a term bandied about like it's bottled water or something else really common. They're rankings decided by me, and don't you dare call them arbitrary lest I smack the taste out of your mouth. Without further ado, here's this week's list:

1. Minoru Suzuki (Last Week: Not Ranked) - Suzuki ran an independent show in honor of his 50th birthday that was outdoors and in the rain, and it still drew 18,000 people. Of course, many in Japan would watch under the fire and brimstone of a highly-unusual eruption of Mount Fuji if it meant getting to see him work Kazuchika Okada, but still, it takes dedication to brave the rain. I don't even wanna walk the ten feet from my car to my side door if it's even drizzling out. The best part about it was that because it was standing room only, he reserved the front rows for children and the disabled. He may be the Murder Grandpa, but Suzuki proves time and time again that even a Murder Grandpa cares for all his grandchildren.

2. Red Hen Restaurant of Lexington, VA (Last Week: Not Ranked) - Of course, you probably heard by now (because it's all national media is talking about) that the manager saw Press Secretary and spawn of grotesquely bigoted former Arkansas governor Mike Huckabee, Sarah Sanders came into his restaurant looking for a meal. This intrepid person had several LGBTQ+ people on their staff, and of course, the Trump Administration hates gay people as much as it hates anyone that doesn't have money coming out of their nostrils. That manager did the right thing and told her that the restaurant would not serve her. This of course was the right call. An administration that has shown nothing but contempt to gay people, women, immigrants, Latinx folks, Muslims, Jewish people, the environment, the working class, and basically to anyone and anything that isn't a member of the Fuck You Money Elite should have nothing but contempt shown towards it. Fuck your calls for civility. Sanders gets up at a podium and spews lies like it's her job because it is her job. What's so civil about that? The people at Red Hen deserve nothing but praise and respect for their stand, valuing humanity over money.

3. Pelé (Last Week: Not Ranked) - Argentina is not having a good go at this World Cup, and the Brazilian soccer legend was asked about it:
The funny thing is I kinda believe him even if he was making a funny.

4. Daniel Bryan (Last Week: 5) - Honestly, I don't care if I don't watch weekly WWE main television anymore. I can't keep him off here. He's not above the jump though because HOW DARE HE GO OUT AND WRESTLE LIKE IT WAS 2013 AGAIN THE WEEK I STOPPED WATCHING GODDAMMIT.

5. Kagetsu (Last Week: Not Ranked) - Not only is Kagetsu the World of STARDOM Champion, but apparently she's been named Prime Minister as well? I wasn't aware Oedo Tai won any kind of parliamentary elections, but I'm not arguing it. I just would like to state for the the record that Hana Kimura as Secretary of War would be a lot more ruthless than she might let on with her high fashion and deep red lipstick.

6. Trader Joe's Star Cookies with Pop Rocks (Last Week: Not Ranked)OFFICIAL HOLZERMAN HUNGERS SPONSORED ENTRY - I know these things sound like super sweet, but man, they're worth it. They combine the wholesome crunch of a graham cookie covered in chocolate with the razzle-dazzle of harmless explosions in your mouth that you remember from your youth. Trader Joe's really is Yuppie Food Nirvana, isn't it?

7. Satoshi Kojima (Last Week: Not Ranked) - Kojima is well into his career, and he still wants to learn. While his lariat is cozy, he felt the need to learn technique from one whose version of the move was, well, BURNING. I would love to have been a fly on the wall (with a universal translator, obviously) when Kojima supped with Kenta Kobashi. The first thing I would listen for is what kind of bread Kobashi liked. I bet he's a focaccia man. Actually, I bet it's naan. Yeah, I bet Kenta Kobashi loves him some bread that is actually baked on the side of a tandoor with BURNING fire underneath.

8. Odubel Herrera (Last Week: Not Ranked) - Herrera went and hit home runs in five straight games in addition to having his epic on-base streak earlier this year. The Phillies have been spotty this year, but Herrera has been a consistent source of offensive prowess even when the rest of the team has gone through lulls. If the Phils make the playoffs this year, Baby Bull will be the biggest reason, or at least in the top three along with Aaron Nola and Jake Pivetta.

9. Adrian Wojnarowski (Last Week: Not Ranked) - Woj was tasked with covering the NBA Draft, but he was given strict orders not to tip picks before they were announced. Then colleague Sam Stein started doing it, and while he didn't out-and-out spoil picks ahead of the telecast, well, he had a laser on what people wanted. He tantalized his Twitter followers with picks from the thesaurus. He cleared the way for his news to make it to light without offending his bosses. Woj is an essential follow if you want to be on the front lines of the madness that is the NBA offseason, and he found a way to kick things off with whimsy at least. With LeBron James, Paul George, Kevin Durant, Boogie Cousins, Chris Paul, and several others hitting free agency and Kawhi Leonard on the trading block, it's a good thing to open with some levity.

10. Oney Lorcan (Last Week: 10) - Oney Lorcan won't be here for porkin' on television because he fractured his orbital bone. Ouch! What a way to go out onto the disabled list.

So Many Tournaments

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CIIIIIMMMAAAAAAAA is back in PWG
Photo Credit: Scott Finkelstein
The time of year when indie wrestling starts putting massive amounts of wrestlers into tournaments is nigh. King of Trios, the Battle of Los Angeles, and the Scenic City Invitational are the usual suspects, and two of three of those tournaments have completed their rosters. Another company, the surging boys from Maine, Limitless Wrestling, will also be putting on some bracketed action this summer, and they have all their first round matches set for the Vacationland Cup. Are you ready for the tournament slate, only one of which doesn't have PCO booked?

The Battle of Los Angeles

Pro Wrestling Guerrilla's major summer tournament is obviously the one with the most eyes on it thanks to the promotion reaching supernova over the last few years. Having a mass of celebrities flocking to you, WWE attention, great location, and the attention of Dave Meltzer, who despite being a rape apologist is still the top journalist in the biz, will do that for you. The last few years, people have accused PWG of phoning it in with the BOLA lineup, which I think is insane, given that the company's most interesting lineups have always come around this time of year. However, this year's slate feels even more inspired. Is it that this year is the first time in a few years that it's not coinciding with King of Trios? Is the WWE poach making Super Dragon think outside the box a bit? I don't care about the reason; I only care that they put a killer lineup together.

The first name announced out of the gate was PCO, because if you're going to try and tantalize people, you drop the big bomb right out of the gate, right? PCO, as noted before on this very publication, is the hottest name in pro wrestling in America right now, and PWG jumping on his bandwagon is a move it would have made in 2009 back when it was real cool and not show cool. Of course, one could argue over whether Super Dragon booked him because he read the goddamn room for the first time in forever or because PCO is a tireless self-promoter with a devoted following looking to get him in as many places as possible. I could not care less the reason, and instead will post his latest training video, where he breaks a goddamn bovine femoral bone:
My first reaction to that video was that I hope he had Destro make him some righteous beef osso buco afterwards for protein replacement. The second thought was DAMN.

PCO might have been the big first splash, but perhaps the biggest surprise (at least for those who don't follow the right people on Twitter) was the return en masse of Dragon Gate talent to Southern California for the tournament. CIMA, T-Hawk, and Shingo Takagi will descend upon BOLA this year. CIMA has found renewed cultural relevance with his Oriental Wrestling Entertainment project in China. T-Hawk is one of the DG guys he took with him, which is good seeing as for whatever reason, he wasn't clicking at home with the office. Takagi is still kicking around DG, but he found a breath of fresh air in his career by working the All-Japan Pro Wrestling Champion Carnival this year. He caught fire after his showing there, which is probably why he was the last name announced for the field.

Some of the other surprise names in the field this year are Ilja Dragunov, Jody Fleisch, Puma King, Bandido, Timothy Thatcher, DJ Z, and Darby Allin. Dragunov is the latest from Westside Xtreme Wrestling to make his way over to SoCal. He appeared to have retired, but the Communist combatant came back to claim the WXW World Title at 16 Karat. He's one of the most exciting prospects to come out of the German promotion since the current PWG World Champion, WALTER (who will also be appearing in the tourney this year). Fleisch's comeback on the indies has been well-documented, but his inclusion in the BOLA field is a bit surprising. Still, it'll be exciting to see one of the OGs of indie wrestling, British or otherwise, take a dip in this loaded field. Puma King is a regular in Consejo Mundial de Lucha Libre, but this won't be his first excursion into the US this year. He worked the Chikara/Beyond doubleheader back in the spring, where he put on clinics against Ophidian and Jonathan Gresham. Expect him to do more of the same. Bandido has worked PWG this year, but he's known best for his work in Dragon Gate, actually. His resume is pretty long, and although I'm not that familiar with him, he comes with high marks.

Conversely, I've seen a ton of Thatcher, and his return to PWG is great news. Ever since departing EVOLVE on a regular basis to do a residency in Germany, he's refreshed his career (even though he never really dipped in quality in the ring from where I stand). A little bit of time away has done the trick for him, for sure. DJ Z has garnered quite the following as much for his in-ring exploits as he has for his ostentatious entrance gear and the rap horn that he calls for after hitting a big spot. Allin is making his PWG debut after building up a hell of a reputation for himself in EVOLVE. By combining a Misfits-like aesthetic with a seeming willingness to die on every spot, Allin will fit in well with the lineup of heavy hitters on this slate.

Also appearing this year are the following: Adam Brooks, Joey Janela, Matt Riddle, Chris Brookes, Flamita, Rey Horus, Brody King, David Starr, Robbie Eagles, Jonah Rock, Jeff Cobb, and Travis Banks. The Battle of Los Angeles will be taking place at the Globe Theatre in Los Angeles on September 14, 15, and 16. Ticket information has not been announced yet.

King of Trios

King of Trios is back from its one-year excursion in the United Kingdom, and it's announced the first ten of its teams so far. As always, it's an impressive and diverse slate, and much like BOLA, it has announced PCO's participation. Well, that's not entirely accurate. Pierre Carl Ouellet will be competing, but not as PCO, the watermelon-smashing, frying pan-bending scion of Destro, but as Jean-Pierre Lafitte, the salty sea dog of the high seas of the late New Generation era of WWE. He will be teaming with an especially weird yet fitting team consisting of Rey Bucanero of CMLL and Katarina Waters, formerly known as Katie Lea Burchill in WWE. They will be looking for the most elusive booty of them all, the King of Trios medals, but they will have some stiff competition.

Obviously, Chikara will provide a bunch of native trios, like Xyberhawx 2000, including the 2018 Infinite Gauntlet winner Danjerhawk and who will have to be the favorites to break the long guest-trio winning streak. The birds of the Internet will razzle and dazzle with their high flying moves, which is in stark contrast to the Regime, this year's Golden Trio. Grand Champion Juan Francisco de Coronado and Campeones de Parejas the Closers will look to grind opponents down, either with the former's superior grappling or the latter's size and brute force. However, they might be outgunned in terms of strength by the science experiments gone wrong in the Proteus Wheel's emissaries of Volgar, Callux, and Frantik. Professor Nicodemus' products of genetic splicing have razed a path across Chikara this season, and Frantik has even taken to cataloging his future victims on Twitter, including some Friends of the Blog. Please don't run afoul of Frantik, guys. The most interesting native trio, however features the returning Princess Kimber Lee taking up arms with her former lactic retainers, Los Ice Creams. Will her resurgency back into Chikara inspire the dairy lads to get on her level? It'll be interesting to see, no doubt.

Another former Trios teammate of Lee's, The Estonian Thunderfrog, returns to Trios with two fauna from his home state of Minnesota. He will descend onto the tournament with Air Wolf and Wildcat. He won't be the only native teaming up with two outsiders. Solo Darling, feeling the strain on her alliances with folks like Travis Huckabee and Fire Ant lately, has brought partners from the South and, well, the past to go into battle. She will team with Aja Perrera and Molly freakin' Holly, who still proved she has "it" and more at the Women's Royal Rumble match. I haven't seen Perrera in action, but I've heard good things. Speaking of all-female trios, two more dynamite teams from the fairer sex are waiting in the wings. While they're named "The SHIMMER Collective," their home promotion isn't the only thing in common, as awesome Aussies Madison Eagles, Shazza McKenzie, and Jessica Troy will look to seize the medals for their country. Eagles has been in Chikara's orbit for almost a decade now, but injuries and circumstance have kept her from becoming a full roster member. While that ship has sailed, she's always welcome back, especially bringing Troy and McKenzie with her. The second all-women's trio comes from Tokyo Joshi Pro Wrestling. While I can't tell you a bunch about Miyu Yamashita, Yuka Sakazaki, and Shoko Nakajima, I can say that the buzz around them and their home promotion makes their trio all the more intriguing.

The last trio covered here was also the first trio announced. PJ Black, Fred Rosser (fka Darren Young), and Michael Tarver will reunite under the banner of the Nexus for a weekend. While they've all gone their separate ways since leaving WWE, Black most notably as a high-profile member of Lucha Underground, I'm sure fans won't mind seeing them play to some recent nostalgia. These ten trios and the six more that are left to be announced will take over the Charles Chrin Community Center, also known as the Palmer Center, ALSO known as the Chikara Funplex in Easton, PA on Labor Day weekend, August 31, and September 1-2. Tickets are on sale now via chikaratix.com.

Scenic City Invitational

The fourth annual Scenic City Invitational is back with yet another stellar lineup of regional greats, and yes, PCO is booked for this one too. He was the last name announced, but he's far from the only hot property OR blast from the past. Joining PCO is an illustrious list of the best established and up-and-coming wrestlers. Fred Yehi and Nick Gage lead the pack for different reasons, obviously. Yehi, a product of the Georgia wrestling scene that the SCI celebrates, is fresh of a residency in EVOLVE and has jumped to Major League Wrestling. His frenetic style of grappling and telling people that they're in trouble should take him far. Gage, however, is South Jersey, born and bred, and also perhaps the most celebrated American deathmatch wrestler today. While they match PCO in star-power, it's 2 Cold Scorpio who provides the biggest simultaneous blast from the past. Scorpio is no stranger to the indies nowadays, as he's worked with Chikara and Dragon Gate USA in the past. He will no doubt provide some nostalgia without lacking the energy needed to bring the room alive.

The rest of the field is pretty much a perfect mix of the Southern and Midwest scenes. AJ Gray, one of the biggest breakout stars from the last year or so, will take part and probably has to be considered a heavy favorite to win the whole thing. Cain Justice put together a hell of a rookie year in CWF Mid-Atlantic last year, so he comes in with a ton of buzz. Gary Jay of Submission Squad fame has settled into a niche of grumpy old ginger striker since the group's quiet dissolution over the years. Joey Lynch is probably the closest thing to a hometown boy the tournament has, while Cyrus the Destroyer, while also local, feels more like a nasty ol' juggernaut than a feelgood favorite. Curt Stallion's blown up from Texas all the way across the mid-southern states, while Mance Warner has become one of the Ohio Valley's premiere deathmatch guys in short order. Jake Parnell will break out from the Viking War Party to try and claim some hardware, while Corey Hollis is as close to a SCI veteran stalwart as you can get. Finally, Darius Lockhart is a guy whom I don't have as much a read on as the others above, but he'll have a lot to prove in this field.

Gunner Miller, the 2016 SCI winner, and Kyle Matthews were both announced for the tournament, but both had to drop out for injuries. It's a shame especially for Matthews, who made his intentions that this was his last year in the business known earlier in the calendar. No less, they have been replaced summarily. Miller's replacement is Kerry Awful, the tatted crazy carnival barker who has gotten some national shine in the last year working against Moustache Mountain with his tag partner Nick Iggy. Matthews hand-selected his replacement, Ike Cross. I don't know much about him, but if Matthews hand-picked him to replace him, he's gotta be somewhat good, right? If you want to get in on the SCI action, head to Soddy Daisy High School on August 3 and 4 in Soddy-Daisy, TN. If you want tickets, hit up Dylan Hales on Twitter.

Vacationland Cup

While PCO is working Limitless Wrestling this year at the actual Vacationland Cup event, he won't be participating in the actual tournament. However, that doesn't mean this nine-wrestler tournament won't be worth your time. Limitless has become a solid second promotion-in-command in the New England area behind Beyond Wrestling, and this tournament slate is evidence why. The tournament is set and so are the matchups. The first contest is the only triple threat of the tournament, and it features three homegrown stars: Danger Kid vs. Alexander Lee vs. Aiden Aggro. I don't know much about anyone in this match, but hey, the local guys gotta get some shine too, right? The second match features Christian Casanova taking on Ashley Vox. Vox has improved by leaps and bounds since her debut in Chikara a couple of years back. Again, Casanova is a local guy, but his finisher is called the "Fedora Frogsplash," so my guess is he's probably a really good heel. Match number three is a contrast in sizes, as the veritably insane AR Fox will go up against New England's resident HOSS, Josh Briggs. I'd keep an eye on this match as the one of the entire tournament, because I bet Fox will bump real stupid at least once, and it'll look both awesome and horrific. Finally, in what should be the technical showcase of the night, JT Dunn goes up against David Starr. This match is more than just the star vs. star match; Dunn and Starr used to be a regular tag team in New England called The Juicy Product. Then Starr went to Europe and Dunn formed Death By Elbow with Chris Hero. Either way, that match also ought to be a beaut. If you want to go, well, VIP and front row tickets are sold out. But you can make your way to the Westbrook Armory in Westbrook, ME on July 27 with general admission tickets.

Of course, these won't be the only tournaments going on this summer, but they're probably the four most notable. Indie wrestling tournaments are so fun and are great ways to intro to some great talent, especially this year with BOLA bringing in some fresh faces to the North American continent. Do your best to catch one or more of these big events.

The Vanilla Midget Report, Vol. 3, Issue 2

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Gulak will snatch your mask and then he'll snatch your pinata
Photo Credit: WWE.com
This week's 205 Live was unsurprisingly another big mood. This episode was better than last week's, not because the matches were better (I really liked that triple threat), but because the mid-show squash against local competition featured someone, well, good and not TJP. Anyway, the time has come to dive right on into the nitty-gritty, eh?

Just Give Me Violence

205 Live might have better overall wrestlers doing better overall matches, but even in my previously lapsed viewing of the show, no one seems mesh better together than Tony Nese and Akira Tozawa. On one side, you have the possibly maladjusted but affable wrestler who came up in questionable dojos across the sea against a body guy whose capacity for finding out new and creative ways to cram his appendages into your face is only outmatched by his outright narcissism. From even his entrance, gloating about his eight-pack making him better than everyone in the arena through strategically placed stalling and rope-a-doping, Nese does a tremendous job of sating the crowd's thirst for violence without making them want to cheer him. Of course, of the rest of the 205 Live roster, no one's sheer thirst for violence is greater than Tozawa's. Maybe some of that is knowing the background information rather than taking what WWE has presented, but still, you can't fault a man for liking a wrestler before he hit the big time, right?

Anyway, this match followed trend for most 205 openers, an amuse bouche if you will. They fit in enough just to let you know that they can do ghastly things to each other's bodies if given the chance, but it left me wanting more, at least. To say that about a match that had just the sheer amount of big spots in it says a lot about the two wrestlers involved. I mean, in no certain order, you had:
  • Nese falling back and kipping up to avoid a lariat
  • Nese seeing a groggy Tozawa and sucker-blasting him back to the days of Toryumon
  • Tozawa once again embarrassing the rest of the roster with his tope suicida
  • A spot where Nese kicked Tozawa after knocking him from his perch on the top turnbuckle RIGHT INTO a fireman's carry
  • An uppercut spot on the top rope where Tozawa just rattled his head to sell the impact while spitting his mouthguard halfway to Gorilla
I mean, you'd think two guys would call it a day cramming that much into a match, but I think they can do the cruiserweight Match of the Year if given 15 minutes and major stakes to fight for. It's a shame that the finish, which again was well-framed and perfectly executed, felt so definitive, because this is the kind of feud I could go for, two guys just beating the piss out of each other just so Cedric Alexander could beg Drake Maverick backstage to make them the next contender to his title. Hey, that sounds like some foreshadowing!

A God Called Hubris

Are wrestling babyfaces dumb, or are they just lessons in hubris that never get redeemed because of the eternal, flesh-grinding nature of the medium's storytelling? Take for example Alexander on tonight's programming. It's not just that the babyface is the opposite of the heel, because the opposite of a character archetype isn't necessarily its own. While a cowardly heel champion dodges competition, Alexander sought it out, which sets him up as a tragic figure going forward. Now, whether Hideo Itami is the one to wrest the title from him in his attempts to gain notches on his belt or if it's someone else remains to be seen. In the interim, I'll take backstage shoving matches with Maverick appearing out of the aether like the Authority Figure Elemental he seems to be.

Additionally, Maverick digging on TJP fills two needs on the programming, one a need to keep his story fresh without needing and appearance, and two, on a more personal level, because TJP fuckin' sucks and I enjoy any opportunity to hear him disparaged, whether worked on WWE programming or shoot on Twitter.

Rush to Catchphrases

Remember how I said Nese did all those razzly-dazzly things that people love but kept his distance from crowd cheers with other villainous character cues? Well, Lio Rush, who made his proper 205 Live debut on this episode is in danger of falling away from the heat he's supposed to be getting. Now, the subtle taunts in match and the obvious stalling beforehand were great ways to establish to the crowd that they're not supposed to like him, but I feel like his abilities are, well, a bit too high-octane to keep people from cheering him, or whatever it is that bushed-dead crowd does to signify they like someone. Still, it's hard not to look at his debut as a success. He did all the things that he promised on his bill of goods in a way that conveyed an actual character, and it resulted in perhaps the most entertaining squash match in WWE since Braun Strowman took on a man with two hands and no chin. The post-match interview added onto that with layers of Black athlete self-overconfidence (which really isn't a heel trait anywhere else but in Vince McMahon's head and his crowds, apparently), but one thing he should do is probably pick a catchphrase among the two he laid out. For whatever reason, you either have to have one catchphrase or be like the Rock and have everything you say be a catchphrase or else it just doesn't feel natural.

Speaking of things that didn't feel natural, uh, did his local talent opponent, Dewey James, look like he may have partaken in some, ahem, medicinal marijuana before the show? That was a clunky segue into congratulating the good people of Oklahoma on going to the ballots and voting for the drug's use as a therapeutic aid. Also congratulations to people in New York City for electing Alexandria Ocasio-Cortez in the Democratic primary for the House of Representatives. Changes are coming! Okay, sorry for the politics, back to the cruiserweights.

The Mask Collector

Everytime someone in WWE gets a haircut, a contingent of people get mad because they didn't lose their hair in a lucha de apuesta. I get the sentiment, but that would require that WWE puts prospective haircut-getters into feuds that matter. Did any of you think that Baron Corbin could have been salvaged from the point where he lost his briefcase last year until he actually got his haircut to have made anyone give a shit about him getting sheared in the ring? No, and in fact, it would've made him even more of a fucking nerd had it gone down that way. Luckily for all you apuestas fans out there, WWE has at least one, well, two brands (but if I encroach on Butch's NXT beat, he'll mock me with fish tacos and warm weather in December, AND THAT'S NOT FAIR) where a hair match is viable. Even more luckily, it has someone who has wrestled in a lucha-adjacent promotion who has a poofy bouffant that is ripe, just oh so ripe for the shaving, and most importantly, he's been super-protected at least ever since Paul Levesque started calling more of the shots on the show than Vince McMahon.

If you didn't catch the hints, Drew Gulak went for masks with a vengeance in the six-man elimination tag match where he teamed with Jack Gallagher and The Brian Kendrick against the Lucha House Party of Gran Metalik, Lince Dorado, and Kalisto. While Metalik didn't last long enough to have his outer face threatened, Gulak just fuckin' tore at the other two guys. Dorado felt the worst brunt of it; mid-match, Gulak whipped him down from his behind by his head and in the process snatched the mask from off his head. Had the match been contested under strict lucha rules, Gulak would've been disqualified, but in WWE, that sort of precedent had not been set, although I feel like it will be an important plot point going forward. He struck again trying to claw at Kalisto's mask as he had him in the Gu-Lock to get the finish.

Other than the overarching story of Gulak hating lucha and masked wrestlers, the action was pretty nice for a main event, dull early thanks to Metalik getting the boot after an inexplicable 90 seconds, but it's not like Dorado or Kalisto are necessarily bad. I just hate seeing Metalik only start to get revved up and then get tossed out of the match. It showed off some nice counters, especially Gallagher's headbutt to a flying Metalik that netted the elimination, as well as the down-one psychology of both Dorado and Kalisto using members of the other team as landing pads for springboarding on their pinning combinations. Once again, 205 Live delivers, but at this rate, is anyone surprised? I guess only the people who still aren't on the bandwagon.

The Blog of the Gods: Death Is Not The End

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Feníx may have died a thousand deaths in this week's episode
Photo Credit: Scott Finkelstein
Episode three of season four of Lucha Underground featured a revisitation of perhaps its signature match with an unsavory addition. Grave Consequences from this season took up about half of the show, and nothing else was built to overshadow it, yet the opening match may have been the best thing all night, at least in total. But I'm rambling too much. It's time to get onto the main show.

Vicious and XO-Lishus

The show opened with a Worldwide Underground backstage vignette that featured Ricky Mandel and his creepy-ass and apparently sentient doll, but the main focus saw Johnny Mundo giving orders to Jack Evans. The Reptile Tribe has declared WAR, and Mundo wanted his boy to fire the first shot. Well, rather than fight some icky snakes, Evans decided he'd rather push around the plucky and decidedly queer-friendly XO Lishus in a "Put up or Shut up" match. Lishus, better known around the East Coast as Sonny Kiss, was the latest new face to arrive at El Templo Nuevo, and as it would turn out, he was probably the best to date.

Aside from the flashy dress or the makeup, Lishus doesn't trade an inch of either his authenticity as a queer-friendly character or his bona fides as a pro wrestler. He can flaunt his stuff around the ring one minute and then fly headfirst into some seamless lucha action the next. He seemed a bit gassed by the end, but I chalked that up to getting under the bright lights of television for the first time. But everything clicked for him. He closed the window on ranas. The handspring into a dead stop and slap in the corner was the right kind of sassy for someone looking to curry favor with the crowd. Twerking after his big dive to the outside was a real crowd-pleaser.

Putting him against Evans was a stroke of brilliance too because even though he can do all the mind-blowing highspots, he's content to sit on the exciting stuff and just grind and prick around. From continuing to insist on doing his own entrance to the funky submissions to answering Lishus' handspring show-move with one of his own (the eye-gouge), he knows how to get someone over in a tight spot even better than, say, Mundo could even. Of course, the bigger story, even bigger than Lishus grinding out the win in his debut, will be Evans blowing off orders to try and big-time some rookie only to get hoisted by his own petard. If it leads to an eventual Mundo/Evans match, then I'm all in, possibly with my pants off. For now though, it's more than appropriate to appreciate the opener for what it was, a perfect introduction to the believers for a guy in XO Lishus who seems to have potential as high as the sky.

But Didn't I Just Hear That?

LU isn't quite known for in-ring promos, which for them is good because the backstage vignettes actually work given their weird status as television show/wrestling event hybrid, a huge reason why Pentagón Dark's promo was, well, so weird. I guess it had its place, since it set up a sneak attack from Cage in front of everyone, but still, it felt out of place. The only real thing I have to say for the whole segment was that unless Matt Striker actually said that Penta couldn't break Cage because he wasn't a man but a machine live, then he's a real piece of shit for jumping all over Cage saying the exact same line as a victory salvo after his successful ambush. Then again, Striker did reference fucking PizzaGate during Aztec Warfare. He's not exactly known for his judgment.

Don't You Forget About Your Friend Death

Grave Consequences I was the best match that I've seen in Lucha Underground history, the best casket match ever, and just one hell of a dramatic piece of wrestling. Because wrestling is built on copycatting and diminishing returns, it was only a matter of time the original two competitors were placed back in the match, only this time with a third. Jeremiah Crane, the elseworlds version of Sami Callihan, got himself entangled in their dark game of life vs. death, and well, he didn't really add much to the match outside of an easy avenue for Ivelisse to come back and wail on him with a hammer in similar manner that he did to her at Ultima Lucha Tres. I get the storytelling aspects, but it's not a surprise that the match didn't really pick up to levels of the first one until after Crane got dumped.

It's not that Mil Muertes and Feníx didn't try their best to make the match work no matter if the third wheel was there or not. The big spots were huge, especially the set-piece ones that involved Feníx jumping off things. A lot of wrestlers are good at jumping off things, but Feníx has turned it into an art. I mean, take for example when he leapt off the high fridge mechanical room over like five rows of human beings onto Crane and Muertes fighting on the mezzanine, or when he acted like he was gonna rana Crane from the top through a table but ended up leaping over him to hit Muertes with a splash on the floor. Some guys like AR Fox and Darby Allin are reckless with their bodies to entertaining effect. Others like Will Ospreay rely on freakish body control for precision flips and highspots. Feníx combines both.

But what really made him stand out here was after Crane's elimination, he just kept taking a progressively worse ass-kicking to really underscore the fact that yes, it was Grave Consequences and not some milquetoast WWE-esque triple threat match. It wasn't just the catapult into the exposed bottom turnbuckle or Muertes mangling his mask and busting him open or the multiple chokeslams into the casket or the time he got countered into a belly to belly throw into the casket or the visual of the casket itself all mangled and busted, but the escalation, the continual breaking down of Feníx's body and spirit, as if Muertes had to whittle away each of his 1,000 lives to get him to stay in the fucking box. Perhaps a straight-up rematch of the first Grave Consequences wouldn't have been as good as said first one, but I can't help but wonder how much Crane held the match back. Eh, c'est la vie, right?

Not a Man, but a Monster

The show close focused on one of the big problems I had last week, that Matanza Cueto wrestled more like, it's not that guarded a secret anyway, Jeff Cobb rather than the bloodthirsty monster-man he's come to have been known as. Apparently, it's because his soul was locked up in a key (get it?), and now Papa Antonio Cueto tires of having any semblance of his human son around. What does the destruction of the key mean though? Will Matanza show up next week and literally rip someone's head off? Or will he just be given a goat to maul, causing an onlooker to remark "Matanza doesn't want to be fed, Matanza wants to HUNT!" I sure hope so.

Twitter Request Line, Vol. 241

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Can NXT take the baseball rehab assignment and make it into a great angle?
Graphics Credit: WWE.com
It's Twitter Request Line time, everyone! I take to Twitter to get questions about issues in wrestling, past and present, and answer them on here because 140 characters can't restrain me, fool! If you don't know already, follow me @tholzerman, and wait for the call on Wednesday to ask your questions. Hash-tag your questions #TweetBag, and look for the bag to drop Thursday afternoon (most of the time). Without further ado, here are your questions and my answers:

Baseball rehab assignments are kinda boring. Guy makes a start, plays a third of a game, and then he gets pulled. However, it does have the base for a good NXT story. Wrestler gets hurt, has to go to NXT for a "rehab" assignment. They get to wrestle local talent on a television taping to much applause and adulation. Some native wrestler who feels disrespected takes umbrage with that and confronts the rehabbing wrestler backstage later in the show. Words are exchanged, and maybe a brawl breaks out. The WWE wrestler is gone the next show, but the NXT wrestler keeps needling them and needling them, calling them out, playing mindgames, what have you. It culminates in an assault at RAW or Smackdown, where the offended wrestler launches a sneak attack, a vicious one perhaps with a weapon in an attempt to draw them out for a match, which happens at the following Takeover. The WWE worker wins, because the little shit has to get their comeuppance, but it's worked competitively and with at least one razor-close nearfall, if not a "visual" pin that doesn't count because the ref is woozy or something. Of course, this kind of angle has to happen with a babyface in the rehab role and a heel in the shithead role, and because NXT is somewhat of a normal wrestling universe, that would actually result in the heel getting booed. Simple, yet effective!

Honestly, it's always time to talk about people's unresolved pasts. It's one thing to let a guy like Michael Vick or even Mike Tyson live their lives because they both paid their debts to society and appear to have been rehabilitated, although in the latter case, I will never begrudge a rape survivor from feeling skittish or not wanting to support or even talk about Tyson. It's a whole other thing when someone like Austin has a history that he won't even talk about anymore. People give him the benefit of the doubt that he's a changed man because he has other woke opinions or they liked his wrestling or whatever. I'm guilty of this too in the past. It's wrong, and having Amore on his podcast is proof positive that he hasn't really changed that much.

If society at-large treated domestic abusers accordingly and actually tried rehabilitating them instead of ignoring victims and letting the abusers go with slaps on the wrists, then maybe the wholesale forgiveness people heap onto these offenders wouldn't be so bad, but the deck is so hilariously tilted against anyone who speaks up. Maybe Austin's time is up finally. I doubt he'll get the reckoning he deserves, but allowing Amore to continue to taunt his alleged victim (and remember, charges dropped doesn't equal innocence) shows real gall, if you ask me.

Ross is a pedant who fashions himself as a quirky nerd but is actually kind of a creeper, so he's Mick Foley. Chandler thinks he's a lot funnier than he really is but is extremely bitter, so he's Dolph Ziggler. Even though The Ryback isn't Italian or an actor, he shares a lot of the same personality traits as Joey: oddly affable, a bit thick-headed, a good friend. Monica is high-strung and details-oriented and prone for self-humiliation, so Nattie Neidhart plays her. Phoebe is a spacy hippie who is probably bisexual and has an affinity for music, so hello Mickie James. Finally, Rachel needs everything to be about her, even if she claims she just wants to settle down and have a normal life. Ronda Rousey to a tee.

Obviously, you go with what you know. I don't care about those war shooters, whether realistic or totally fantastic like Overwatch. Super Smash Bros. is good, but I'd rather play it with a bunch of n00bs rather than watch it. However, competitive Pokémon? Hell yeah, I'm down. It might seem a bit boring to outsiders, especially since it's turn-based JRPG battle in nature, but I could watch battles and absorb strategy all day.
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