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Fight for the Fallen Reader's Digest

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CIMA still has it, and probably will still have it until he disintegrates
Photo Credit: Scott Finkelstein
The second of two interstitial free All Elite Wrestling shows between Double or Nothing and All Out, Fight for the Fallen, took place on Saturday, and I have the review right here.

Sonny Kiss vs. "The Librarian" Peter Avalon - The Buy In kicked off with Librarian action, and thankfully, it wasn't Leva Bates in the ring. Even more thankfully, Avalon had Kiss as his opponent. Even without pomp or pyro, Kiss can make an impact starting with the entrance because of his sick dance moves, but he got the Jaguars' cheerleaders to accompany him. Right out of the gate, he felt like the most special guy in the room. I think leaving him in the pre-shows for too much longer would be a mistake. He's got "it," and as a bonus, he checks a lot of boxes for diversity that these corporate wrestling companies seem to love even if they don't really care about the marginalized folks those wrestlers represent. Anyway, the match itself was a brisk, fun opener, and honestly, they really should keep Avalon as the in-ring worker for this Librarian gimmick. Hell, Bates couldn't even do outside interference right.

Britt Baker and Riho vs. Shoko Nakajima and Bea Priestley - Man, compared to the multi-woman match from Fyter Fest, this match was a disaster. I think the biggest reason was that Baker got concussed early, so she was just all over the place. i mean, it provides a decent cover for why she went to try and tag Nakajima instead of Riho. It was either a concussion or racism, and well, I wouldn't put either one past a White wrestler but I'm glad it was the former, at least socially. That and I think Priestley has a bit of what makes her beau, Will Ospreay, so insufferable. The match was pretty much laid out for Priestley's greater glory, which kinda sucks. That being said, once again, whenever Riho was in charge, the action went about as well as you could imagine it would. I know they're probably gonna put the Women's World Championship on someone like Allie or Brandi Rhodes to start, but really, you could do a lot worse than having Riho chase Awesome Kong or Nyla Rose to start the division.

MJF, Sammy Guevara, and Shawn Spears vs. Darby Allin, Jimmy Havoc, and Joey Janela - The opening match of the main show containing the dude who was made by a time-limit draw vs. the company's Triple H, the guy who tattooed the company's Triple H with a chair to great fanfare, and the guy who headlined the last show in a crazy hardcore match raised a lot of questions, and I'm not sure they have good answers? An optimist's view says that there's going to be a lot of card fluidity to allow fresh main events without overpushing someone or ignoring anyone else. Then again, it's the third show, and three is still a small sample size? I don't know. Anyway, the match was a fine opener with some important storytelling going forward. While I question the idea of having MJF, the most elemental heel on the roster, as Cody's "best friend," I think they progressed the story well that he and Spears just don't like each other. Also, I dig Havoc, because he's an accomplished wrestler despite being as athletic as I am. I feel represented.

Allie vs. Brandi Rhodes - I feel bad for Allie, because people are gonna think she sucks because she couldn't get good matches out of the two worst women on the roster. Seriously, you can't sit through a match where Rhodes fucked up several suplexes and say that it was all on Allie not knowing how to take them. But anyway, I get a headache trying to parse this match, so I wanna talk about Rhodes' turn as a dollar store Stephanie McMahon. Seriously, like she's the "Chief Brand Officer," a position that I've never heard of until McMahon took it up. She gave herself such a melodramatic tear-stained vignette before the match where she talked about her "demons," only to abandon that right away by introducing Awesome Kong as her muscle. It almost reads as a bad parody of McMahon, only I'm not entirely sure Rhodes won't make herself prominent in the women's division. Anyway, I'm not mad about this because they're "aping" WWE; I'm furious because they're taking one of the dirt-worst elements of WWE in a company that's supposed to be the change in corporate-owned wrestling and doing it way, way, WAY worse, as if that could even be possible. I guess the lesson here is shame on me for expecting a corporate wrestling company for not indulging in this kind of shit.

Awesome vs. Aja, Battle of the Kongs, should own at least.

The Dark Order (Stu Grayson, Evil Uno) vs. A Boy and His Dinosaur (Luchasaurus, Jungle Boy) vs. Angelico and Jack Evans - This was an action-packed, breathtaking multiman spotfest that didn't need Angelico and Evans in it. I hate saying it, because Evans is incredible and Angelico is even better. This match would've been a lot cleaner if it just had been the former Smash Bros. vs. Jungle Boy and Luchasaurus. I mean, Evans or Angelico didn't even eat the pin! Anyway, the Dark Order showed everyone why they were staples in Chikara and Pro Wrestling Guerrilla for years before they encountered visa troubles. Evil Uno exudes so much Abdullah the Butcher energy that I'm surprised he didn't have a fork in his tights. And Grayson looks a lot more grown than when he was a beanpole bopping around the ECW Arena competing for the Young Lions Cup. Like he actually looks swole enough that, with his aesthetic, Vince McMahon was probably furiously trying to rename him "Sven" or "Baleog." The real revelation here though was Luchasaurus, who showed a style that was heretofore hidden, even during his run in Lucha Underground as Vibora. Not only is A Boy and His Dinosaur the most wholesome act in AEW, they may be the most exciting, especially now that they seem to have added Marko Stunt.

Kip Sabian vs. Adam Page - My feed dumped out in the middle of this match, but man, the beginning of the match was a snoozefest while once my feed came back in, it picked up for far too short. Page seems like the guy they're hitching their wagon to to start, but I'm not sure he's ready yet. He's too white-meat in an era where white-meat doesn't always work. I mean, the white-meat babyface in Jim Crockett Promotions was hardly trusted to hold the title for too long since they had the strap on Ric Flair so much anyway. Still, I think he's a good worker and someone who can keep the midcard afloat, but man, they'd be way better off having Allin, Janela, Kenny Omega, or even CIMA as the babyface chasing Chris Jericho into Double Or Nothing II. That being said, Page has never looked more badass than when he came out to give Jericho a receipt for jumping him after this match during his promo with double shiners above and below his left eye. AEW has to try and distill that energy into a character that Page can embrace all the time before he becomes their "guy."

The Lucha Bros. (Pentagón, Jr., Feníx) vs. SCU (Scorpio Sky, Kazarian) - This was the Feníx turn-out match that I hoped Fyter Fest would be. Outside of the spot where Kazarian was slow getting into position for a dive and Feníx pulled a Randy Orton, he was unleashed in this match. When he gets free reign, few things are more breathtaking in any wrestling promotion. He is everything Will Ospreay pretends to be, and he does it working an insane amount of dates, which isn't as much of a compliment as you think it is. Anyway, even though the SCU guys felt like they were playing a game of eternal catch-up, it was still an enjoyable match. That being said, AEW trying to turn SCU into their version of the New Age Outlaws? Yeah, it doesn't work.

CIMA vs. Kenny Omega - I had high hopes going into this match because if anyone was going to be able to do the Kenny Omega Half-Hour JO Special as good as Omega, it would be CIMA. True story, CIMA probably has a bigger influence on Omega than most anyone in wrestling, so of course they were going to fit like a key in a lock. They went places I didn't expect them to, most specifically the Meteora from the stage onto the ring bell table. Seriously, that spot was probably gnarlier than anything from Janela vs. Jon Moxley at Fyter Fest, and they only needed the table as fixed surface. Normally, a match this long probably needs editing, but I found myself enthralled the whole way through. I think everytime you want to say CIMA has too many miles on the odometer, he comes out and shows he's able to keep up with the most extra wrestler in the business right now. Omega found his counters where he needed to, and man, taking that many Meteoras in all the spots he did took some gumption. This match was, by far, the best one at either of these free shows.

Dustin Rhodes and Cody vs. The Young Bucks (Matt and Nick Jackson) - It's surprising how well the Bucks played into the Rhodes' Boys' wheelhouse, because this match took a far more methodical pace than what was promised. Even the Bucks getting into their mega sequences felt more deliberate than usual. They're really trying to turn Cody into a facsimile of his dad, and while I'm not sure he'll ever get to The Dream's level, he's far better suited to that life than the super indie cosplay he put on when he first was freed from WWE. Dustin Rhodes also proved he has some sauce left, which isn't surprising since those old Southern guys age like luchadors, just look at the Rock 'n Roll Express. Anyway, while Omega/CIMA didn't need any editing, I thought this match did. The feeling-out process in the beginning felt too gratuitous, and the Bucks staring at the Rhodeses at the end multiple times was unnecessary. But otherwise, it was a fitting main event for the show.

I'm going to have commentary about the post-main check-presenting segment later on in the day on a different bent than what it was on the surface, but I just wanna add that Omega should never have a live mic ever again. Let him wrestle and do heavily-scripted pre-tape promos, but never let him speak into a mic off the cuff, thanks.

Say WWE's Name, Say It Until You Bury Them

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Cody should take shots at WWE, fuck "class"
Photo Credit: WWE.com
So, the Fight for the Fallen post-main segment where Cody, Kenny Omega, Jungle Boy, Luchasaurus, the Young Bucks, and Shad Khan presented a check for $150,000 to the Jacksonville Victims' Advisory Assistance Council, was notable for a few reasons. Omega's incomprehensible speech proved once again that he's to be seen and not heard, but that wasn't the thing that riled up the peanut gallery. Cody, in his portion of the yakking, said that "[WWE] can't counterprogram us." He didn't say WWE by name, which is why I used the brackets there, but everyone knew what he was referring to, and that's WWE Network airing EVOLVE opposite Fight for the Fallen. Again, it's worth noting that counterprogramming, say, Fyter Fest or All Out, is probably fair game, even with WWE's gigantic market share comparative to All Elite Wrestling. I mean, it's predatory, and the leader punching down is awful and shows the leader is punching down because they're scared, but the actions of a corporation in a capitalist slapfight with another corporation. No matter how you slice it, in this oncoming war, AEW is corporate, so you should be careful in your adoption of them as a "woke" fave.

That being said, going counter to a charity show is a special kind of ghoulish, but it shows that WWE will stoop to any level of anticompetition to snuff out any contenders to its throne. Yet, people were mad at Cody for having WWE in his mouth, the same as when he smashed a throne with a sledgehammer at Double or Nothing. The company that is trying to dethrone the leader, they say, shouldn't say the leader's name or mention them. I can't for any reason think why that's a good idea. AEW is trying to gain a foothold in a market dominated by WWE. Ignoring them would be like ignoring something like climate change or the New York Yankees. You have to take shots at them.

It's not like WWE has a precedent of being this "classy" organization in this regard. The moment that Hulk Hogan and Randy Savage jumped ship to World Championship Wrestling, thus legitimizing them with a Northern audience, WWE went right into attack mode introducing the Huckster and the Nacho Man. The only reason there aren't more examples is that they have been on top for so long that they have no worlds to conquer. They were never threatened by TNA or Ring of Honor. They didn't have to punch down visibly. But I guarantee you that if, in some alternate universe scenario, that TNA somehow took a lead in their aborted attempt at a new Monday Night War that they would've been on the attack. I also guarantee that if somehow, AEW gets a bigger market share than WWE that WWE will go on the attack again with bad parody characters of Omega and Cody. Hell, they'll probably have someone like Braun Strowman or Baron Corbin destroy the Dusty Rhodes statue.

However, "they do it too" is a terrible reason to do anything, but that doesn't mean AEW isn't justified in their attacks. As it turns out, negative advertising, despite people saying it's unethical or whatever, works. Pepsi has taken shots at Coke. Burger King and Wendy's go after McDonald's. People do it because it works, and when it's corporations engaged in it with other corporations, it's kinda like Ken Watanabe from the Godzilla reboot saying "let them fight." No corporation is good, so when they fight, really, it's the only heel vs. heel matchup that happens to be acceptable by anyone. AEW, a corporate entity, going after an even worse corporate entity in WWE is not classless or to be frowned-upon, it is par for the course.

And really, the tone of people decrying this move make it sound like WWE doesn't deserve the static. The favorite go-to is that the Khan family also donated to Donald Trump's campaign, which yes, it's true. The Khans suck shit, no doubt, but the idea of scale erasure is this thing among people trying to prove that their mode of consumption is "woke" compared to the other, when in all reality, despite there being no ethical consumption under capitalism, there are levels of malfeasance, and it is reductive and terrible. The Khans donating a million to the Trump campaign and then vocally regretting it after the girls started getting mad at him is not a good look. However, it is a better look than WWE donating much more to Trump, getting Linda McMahon in a cabinet seat, and then going to the White House for smiling photo ops with the country's terminally wet leader. Watching AEW doesn't make you "woke," but when you attack AEW or AEW fans from a position of being a WWE partisan, well, man, you should probably reexamine your life choices.

So yeah, if Cody has a boutique shot at Paul Levesque or WWE in general at every AEW show from here until they put WWE in the ground, so be it. You don't have to like it, but really, to pretend that it's some kind of faux pas is explicitly a defense of a company that has set wrestling back continually for running on 40 years now. If one corporation wants to take shots at another, it's not my place to judge its morality, or lack thereof. If the corporation is WWE, well, I'm all for it, no matter how shitty the corporation doing the attacking is.

G1 Climax Night 2 (B-Block Opener) Reader's Digest

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Takagi and Robinson set an awfully high bar with the first G1 match of B-block
Photo Credit: NJPW1972.com
Two Reader's Digests in one day! Wow, what a time to be alive. AXS this week ran the B-block opener on tape delay, and they also cut out the opening tag matches, showing just the G1 tourney matches. If you want to watch the whole thing, check it out on NJ World.

Shingo Takagi vs. Juice Robinson - Right out of the gate, B-block came out guns blazing. Truth be told, the only A-block match from Dallas that I would put among any of the five matches from Saturday's show would be Zack Sabre, Jr. vs. SANADA. But they started off best foot forward with Takagi against Robinson, which I mark as the best match of the first ten in this tournament. I was lax in hiding my disdain for Takagi when he was part of Dragon Gate's American envoy for the short-lived DGUSA, but here, he owned the ring aside from Robinson, another guy whose game got better over a period of time. They came out of the blocks on fire like Sweet Dee after Frank botched the arson job for insurance money at Paddy's. Towards the end when they were just owning each other with lariats and countering in and out of their finishes, it set the bar for the kind of manufactured intensity that you need to make this tournament work. If you seek out one match from the first two shows, make it this one.

Jon Moxley vs. Taichi - The fact that Taichi started the match attacking Moxley in the crowds during his entrance gave me the tinglies from jump. It reminded me so much of the Unicorn match Randy Orton had with Kane at Extreme Rules '12, which is actually praise if you can believe it. I love garbage brawls, especially when they spill out, or in this case start out, in the crowd, and this was no exception. I loved the touch of Moxley blowing a kiss in mockery of Taichi to his valet, Miho, although I wonder if he'll be sleeping on the couch when he gets back to the Las Vegas home he shares with Renee Young. Anyway, despite going slightly off the rails somewhere in the second act, it finished strong. I'm excited to get to know Taichi more and so amped to see the rest of Mox's tournament.

Tetsuya Naito vs. Toru Yano - This was by far the shortest match of the televised card, but it was all-killer, no-filler. Yano got right to taking off the turnbuckle pads which got Naito to doing the same, and it was a whirlwind of physical comedy until the finish. I've only seen a few Yano matches, but I'm convinced that after last week's tag match and this week, that few are equipped to handle him like Naito is. Yano winning was also a shock, but he always gets some big upset wins here and there. The story is that he's the "spoiler," so it's odd to see him win a match against this high-profile an opponent so early, but I'm sure this will come back to haunt Naito later on. Either way, it was the perfect palate-cleanser between the two big-bomb brawls.

Tomohiro Ishii vs. Jeff Cobb - I was most looking forward to this match, but outside of a few flashes, they had a hard time getting going. Like I was waiting for them to get into a groove, but their macho posturing with strikes fell flat early on. It's not to say that they didn't rebound. The ending stretch run was what I expected from them after they got me good and hot and bothered for BIG HOSS ACTION at the Dallas show. If you distilled that sequence into a whole match, then it probably would have been, far and away, the best on the show. But you can't just judge one sequence here. Takagi and Robinson kept it up the whole match, but man, give me Cobb and Ishii again where they're primed and ready to go for the whole frame. That's all I want.

Jay White vs. Hirooki Goto - Jay White is so good at playing a sniveling little shit that I can see why they put the title on him January 5. Like, when you're that much of a petulant dickhead that the referee on TWO occasions won't count your pin and the viewer feels justified in the decision, you've made it. I was already in the bag for Goto, because who doesn't love a fatherly figure with a dope finish, no matter how badly New Japan has fucked his push up in the Okada/late-Tanahashi era? But man, White made it so much easier to cheer for Goto in the moment. He's so good at the big and the little things. But man, there were two spots in this match that I thought were prime wrestling. One was when they were criss-crossing the ring and White was rope-a-doping Goto trying to go for the lariat, and the other one, connected to that first one, was the build to Goto finally hitting that lariat. It was fulfilling. Again, I was already inclined to root for Bushido Dad, but when he got on the mic and said "The G in G1 stands for GOTO," fuck it, I'm ready to follow Hirooki Goto to the ends of the goddamn earth.

The Wrestling Blog's OFFICIAL Best in the World Rankings for July 15, 2019

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WHAT A GOOD BOY
Photo Credit: TH
Welcome to a feature I like to call "Best in the World" rankings. They're not traditional power rankings per se, but they're rankings to see who is really the best in the world, a term bandied about like it's bottled water or something else really common. They're rankings decided by me, and don't you dare call them arbitrary lest I smack the taste out of your mouth. Without further ado, here's this week's list:

1. Officer Magnum (Last Week: 2) - Not only is Officer Magnum a GOOD GOOD BOY, he also should be a shoo-in for the Observer Awards Best on Interviews.

2. Megan Rapinoe (Last Week: 1) - Rapinoe posted a video saying she "deserves this," which whether it be the bottle of alcohol or the Women's World Cup trophy, she totally does. And yet she still gets stodgy conservative morons up in arms with her behavior, same as the rest of the team. Man, these super alpha males who call trans people who want to use the bathroom in peace "snowflakes" who can't handle society sure get really, really defensive and fill their diapers up full when a group of women or in the case of the Golden State Warriors black men decide they don't wanna associate with the big wet President. I wonder why that is.

3. Nyla Rose (Last Week: 6) - Rose had a good take on Britt Baker's reach to the wrong corner for a tag, which she sadly deleted, that said Baker should've been an optometrist instead of a dentist. It was great because, one, because she's a heel and Baker isn't, and two, because it was totally fitting in Baker's character. Obviously, she didn't know about the concussion Baker suffered, but hey, it was in the moment. Of course, it didn't set well with at least one wrestler, but shockingly, it wasn't Bubba Ray Dudley. Chelsea Green called her out, which is funny because Rose could break Green like she was a twig. Also, Green is finding it difficult to break into even NXT's women's division, while Rose is going to be one of the centerpieces of AEW's (hopefully). Sounds like jealousy, actually.

4. Hirooki Goto (Last Week: Not Ranked) - He's undoubtedly been the dude the first full weekend of G1 action, partially because of his rip-ass match against Jay White, but mostly because he figured out that the dome of his skull is the hardest part of the body, the head's apron if you will.

5. Novak Djokovic (Last Week: Not Ranked) - The Superb Serb won his 16th tennis major championship by defeating Roger Federer in the Kenny Omega vs. Kazuchika Okada of tennis matches in the Wimbledon final. Djokovic will go home, ice up his arm, and probably look for a place to put his trophy. I'm pretty sure he's running out of room, no matter how big his house is.

6. Pizzeria Quesadilla (Last Week: Not Ranked)OFFICIAL HOLZERMAN HUNGERS SPONSORED ENTRY - Look, it's not authentic. The pizzeria up the street from my house uses janky tortillas and puts mozzarella and Swiss cheeses in it. It is an abomination before Fray Tormenta and El Santo. It is not Mexican food, and ordering it as much as I have has probably gotten me on a culinary watchlist. But I'll be goddamned if it is not one of the tastiest trash foods I've ever eaten in my life. When I want to be cheesed up, I get the pizzeria quesadilla and ignore the crowds at my door demanding I go authentic.

7. Tomohiro Ishii (Last Week: 3) - Look, when he hoisted up Jeff Cobb for that brainbuster, my soul left my body. Also, I want his t-shirt.

8. Sonny Kiss (Last Week: Not Ranked) - It's one thing to coordinate with the football team the wrestling promotion's funding owns to have their cheerleaders come out for your entrance, but it's a whole other thing when you choreograph their routine and outdance them. It's time to have a dialogue about how Kiss is about to take the wrestling industry by its horns, guys.

9. Orange Cassidy (Last Week: 8) - He's so popular he's got NXT guys coming to check his shit out.

10. Otis Dozovic (Last Week: 10) -


MJF Got Hurt, but Apparently It's Not Too Bad

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MJF, seen here with the CZW Wired Championship, had to forfeit an Inspire Pro title due to injury
Photo Credit: Scott Finkelstein
MJF, who got a microphone and some time at All Elite Wrestling's Fyter Fest to show his wares as a blowhard with a black hat, was suspiciously placed in a ho-hum six-man tag at Fight for the Fallen that served to advance a questionable story with criss-crossed alignments. If his actions in the match were the only notable thing going on, it wouldn't be notable to post about him today. Except news broke Sunday by Inspire Pro Wrestling, of which MJF was the Pure Prestige Champion, that he would be missing the show because of a "severe" elbow injury and thus be forfeiting the title, not because of bad blood, but because his AEW exclusivity would prevent him from wrestling for Inspire in the future. In case you're wondering, Ricky Starks won the title against Steve-O Reno. Starks was originally slated to challenge MJF for it before the injury.

However, Sean Ross Sapp of Fightful "was told" (probably by MJF, but I'm sure he has reason to keep the source anonymous) that the injury wasn't that severe, that he was just "banged up," and wanted to rest a little bit between Fight for the Fallen and his AAA appearance in a tag match teaming with Cody. I guess he chose the lucha giant over one of three major Central Texas indies for what he'd want to risk further injury on his elbow, which makes sense, to be fair. Other than AAA, MJF doesn't seem to have a lot on his fight card going forward. He doesn't have a match for All Out yet, for example, but with only four matches announced so far, a lot of people don't have matches there yet. Hopefully, this injury remains minor enough that he can either recover from it with rest or work through it and get lucky enough that it doesn't aggravate.

Jon Moxley's New Groove

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Moxley, shown here clutching Jeff Cobb, can spread his wings better in New Japan
Photo Credit: NJPW1972.com
Even back when he was working deathmatches and cultivating a cool Nolan Joker persona without the paint, you could tell Jon Moxley had a certain eccentricity about him. He wasn't Colt Cabana or Santino Marella, but his capacity for comedy wrestling was present. WWE saw this glimmer as well, but after The Shield broke up, Mox, as Dean Ambrose, was miscast. When Vince McMahon sees that you can make people laugh, he doesn't recognize that that ability can manifest in different ways other than "doing stupid shit that makes a septuagenarian cokehead sociopath guffaw." Instead of exploring studio space in cool and exciting ways, Ambrose rolled hot dog carts to the ring, jobbed to exploding television monitors, and went to the doctor to get needles stuck in his ass.

Of course, Moxley/Ambrose wasn't the only wrestler done dirty by McMahon's rudimentary understanding of character development. Wrestling, like acting, should have a wide swath of character archetypes, and yet the only ones that McMahon has ever gotten right are "tall übermensch whomst wins all the time" and "rebellious little shit who people like because they hit their boss." So "Charlie Kelly who likes to hit people with things wrapped in barbed wire" was certainly not a character WWE was ever going to get right. The problem is, what promotion could get it right without allowing the person playing it to have most of the input? The answer is "no promotion," which is why Mox's lightly-salted eccentricity is able to shine in New Japan Pro Wrestling.

It's not to say that Gedo doesn't have input on him, or that he's hands-off with most of his characters. I can say with confidence though that Mox name recognition coming in probably allowed him a certain degree of freedom, much in the same way that someone like Kenny Omega, Hiroshi Tanahashi, or Kazuchika Okada have or had some free reign in their stays with the company. I can't see Gedo going to Mox and telling him to adopt Shota Umino, call him Shooter, and give him a jacket. But that whole underlying arc definitely feels like something Moxley would do just to riff, to have him break out and maybe give someone like Umino a little boost when he transitions from Young Lion to real boy full-fledged New Japan roster member.

Of course, that's not the only thing he's shown in New Japan already in his short tenure there. It's the little things like blowing a kiss to Miho during his match with Taichi, or proclaiming that he doesn't know Jeff Cobb or much about him, but that he respects him. These moves are that of someone who takes himself seriously, but not seriously enough that he ends up coming to the ring in a hood and exuding powerful "I study the blade" energy like a certain Aerial Assassin. It also manifests itself in ways that differentiate himself from, say, Toru Yano.

Moxley will still bleed buckets if he has to and make other people bleed buckets; just look at his match with Joey Janela at Fyter Fest, which was probably skinning the surface of what he's able to do now. The biggest test for him will be his run in All Elite Wrestling. While I think he'll get freedom there, I also imagine that he'll be more heavily guided there, as Tony Khan and Cody Rhodes will undoubtedly want to exert more control over talent than Gedo does. Still, no matter how questionable the narrative direction in AEW has been (more on that later), Mox being there gives them a good leg to stand on.

If McMahon observes his competition at all, he should be learning the lesson that he should maybe loosen the reigns up and let his talent do what they want more and less of what he wants them to do. I doubt he will, as he's probably alternating between overlording RAW and Smackdown with trying to write as many rules for his new XFL that make the players and fans know that they WILL respect the flag. That really only means that as long as he's like this, wrestlers like Jon Moxley will be better off elsewhere, places that allow him to have more input in what he does in the ring and on the mic.

The Latest King of Trios Team Will Cleanse Chikara With Fire

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Too much fire talk for my liking
Graphics via ChikaraPro.com
About a year or so ago, The Whisper and Ophidian were bitter rivals, or at least it appeared as such. Recently, the two have revealed that they are in cahoots and that their feud may have been a ruse. Chikara has seen threats from invading forces so many times in the past, with The Flood being the most destructive, even causing the company to close for almost a year. Whisper and Ophidian, well, they don't want to see that happen again, so they formed The Crucible, an autoimmune system that would enact whenever a threat would descend on Chikara.

The problem is, the incoming threats are kinda at a minimum. The Beyond Wrestling invasion kinda petered out when Mark Angelosetti defeated Chris Dickinson earlier this year. And while the newly unmasked Dasher Hatfield is kind of a prick, well, he's also the kind of prick who wants to rule Chikara, not destroy it. Sometimes, when nothing's wrong, the autoimmune system stays quiet. Other times, it manifests by attacking healthy bodily cells. While few people know why autoimmune disorders like primary biliary cholangitis or lupus develop, a human response team like The Crucible might act out because they're slightly fascist and get bored waiting around for the next threat to come in. Their brand of showing off feels the same as military demonstrations in times of peace.

Of course, one could forgive them for getting restless except their mission statement includes cleansing things in fire. Sending the team of Ophidian, Whisper, and the surprising Crucible member Lance Steel doesn't seem like a military exercise in time of peace. I think they want to set King of Trios on fire. Maybe not literal fire, but I'm not sure at this point. I don't think The Crucible wins the tournament. What I do think is that they go far enough and their loss sets off an epic temper tantrum that will carry the narrative into the finale. Either way, their inclusion in King of Trios signifies that the poop is real.

The Crucible represents the seventh team in King of Trios this year. The other six are:
  • Team Pump (Scott Steiner, Jordynne Grace, Petey Williams)
  • The Ancient Order of Nations (Mick Moretti, Adam Hoffman, Jack Bonza)
  • The Carnies (Kerry Awful, Nick Iggy, Tripp Cassidy)
  • The Embassy (Prince Nana, Jimmy Rave, Sal Rinauro)
  • The VeloCities (Mat Diamond, Jude London, Paris DeSilva)
  • Team FIST (Icarus, Tony Deppen, Travis Huckabee)
Additionally, Boomer Hatfield is the first of eight scheduled competitors to be announced for the Rey de Voladores tournament to occur starting Night 2. King of Trios will take place in Reading, PA October 4-6 at the Goodwill Benefit Association. Tickets are on sale now.

Should AEW's Creative Be a Concern?

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Omega's "losing streak" is the biggest among AEW Creative's red flags so far
Photo via Extra Mustard
One of the most prominent talking points at Fight for the Fallen was how Kenny Omega was distraught looking for his first singles win in the company. It's not an uncommon angle to run. WWE runs it into the ground, and a losing streak angle is what launched All-Japan legend Kenta Kobashi's career. If you'd have tuned into FftF, you might have thought All Elite Wrestling was running its fifth, seventh, or even tenth show with Omega looking to get off the schneid. It was their third show. The first show, Double or Nothing, featured Omega losing to Chris Jericho. Fyter Fest featured Omega in a six-man with the Young Bucks vs. the Lucha Bros. and the Laredo Kid. They won that match, with Omega getting the pin on the Kid. The talking point made no sense, indicative of creative rot that you'd expect from WWE from the last 20 or so years.

Much like running with a story about a one-match losing streak based on a small sample size is problematic, it might be shortsighted to gauge AEW's creative direction off three shows. That being said, I might not be so worried if the Omega losing "streak" was the only thing they rolled out. However, over the two free shows since Double or Nothing, AEW has:
  • Made MJF the guy who made the save for Cody after Shawn Spears cracked him across the head after allowing him to ROAST the crowd before his own match.
  • Shoved Darby Allin, who was made by a time-limit draw against Cody, Joey Janela, who was made in a brutal war against Jon Moxley, MJF, and Spears in a nothing opening trios match instead of in prominent positions later in the show.
  • Showed a syrupy vignette for Brandi Rhodes about how she has to "conquer her demons" only to have her become a dollar store Stephanie McMahon villainous overlord with her own muscle in a match against her "friend."
  • The main event's stakes and drama were pretty much nullified when the Jacksons told Cody and Dustin Rhodes "lol j/k."
That's a lot of flubbing for two shows you're putting out for free to charm a new audience. That's WWE bad. Hell, that's Dixie Carter-era TNA bad. I've been pretty lenient on the two shows because I legitimately enjoyed them for the wrestling. If you're a wrestling company, and the matches are good, congratulations, you've won half the battle, possibly more. That being said, what should separate a good promotion with a passionate following for the actual wrestling from a corporately-funded wrestling promotion that has millions of fans because it has things that cater to those attention spans that aren't German suplexes and armbars, well, it's not good enough.

It's clear to me that the fact that the creative team isn't doing its work early on. I'm not sure who among the people making the decisions has experience booking a promotion or writing for television. It certainly isn't Tony Khan. It might be Cody or the Jackson Brothers or even Omega, but it's clear from this output they came into it unprepared at best. If they're saving their "best" for All Out or the beginning of television, well, why would you withhold ALL the good stuff? You should want to give people a taste of what you're all about with the free shows, correct? I truly believe that the wrestling side did that, but you know who else had great wrestling and incoherent creative? 2004-07 TNA.

Following that path is not a good idea, because TNA could not survive as a nationally-televised promotion with corporate backing on its wrestling alone. They never changed up what they were doing creatively, staying with the same rotating cast of Jim Cornette, Vince Russo, and Terry Taylor, and their booking and angles made them a laughingstock. I would hope that the All Elite gang know they need to have a hook. It doesn't have to be Shakespearean, but man, it can't feel like it was limply ideated and rushed into production with no ear for continuity or emotional punch. It's the difference between being the cutesy Internet fave and being a contender to the megalith dominating, choking even, the current wrestling scene.

IN other words, AEW has to be better going forward. You can't try to frame a one-match losing streak as a thing, and you can't be bouncing back and forth on which parody of Stephanie McMahon you want Brandi Rhodes to be. Even though it would amount to a shortsighted decision not to take advantage of the free shows to build strong creative rapport with your burgeoning audience, one can only hope that they were phoning it in for Fyter Fest and Fight for the Fallen. They can't afford to do the same with All Out and television on TNT, that's for damn sure.

Wanna Make Wins and Losses Matter? Look at Chikara.

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The Bucks, for example, know about Chikara, so they should take an idea...
Photo Credit: Scott Finkelstein
"Wins and losses mattering" is all the rage nowadays now that All Elite Wrestling is on the scene trying to bring something fresh and I guess "legitimate" to the table. Outside of Kenny Omega just needing to end his one-match losing streak, I'm not sure how that's manifested so far, although to be fair, it's only been three shows. On one hand, that's a small sample size. On the other, well, whether it's your third or 103rd show, you shouldn't have to be screaming the core values every other sentence. Wrestling hasn't always gotten it in regards to "showing and not telling" but really, showing is way better than telling. One other company in this decade has tried pushing the "wins and losses matter" party line as a vocal selling point, and that's EVOLVE.

Already, AEW has it better than EVOLVE, which didn't have a top Championship until around the time Dragon Gate USA failed. Wins and losses only matter to the viewing audience at home inasmuch as they need to have stakes behind those wins and losses. EVOLVE didn't have a season. It didn't keep standings. The roster wasn't uniform. For at least two years, the only titles you could possibly win on an EVOLVE show belonged to the Dragon Gate brand. Sure, you can peddle pap about the winner's share of the purse, but no one at home really gets any satisfaction out of that. Most fans don't care about what they get paid, kayfabe or not, and leftist fans think that everyone should get paid the same, win or lose, and it should be more than what the promoter takes home, NO WAR BUT CLASS WAR. Pride is the other answer, but at the end of the day, no one cares about pride either unless that pride is attached to a feud that fans can attach to. EVOLVE wasn't really good at those either, with its most notable feud early on, Jon Moxley vs. Brodie Lee, ending in both of them getting suspended from the company. Sure, they both could still wrestle for DGUSA which was a thing at the time, but COME THE FUCK ON.

AEW has already announced titles, which, wins and losses mattering matters a lot more when you have something to wrestle for than if the stakes are nebulous and undefined. However, the roster isn't uniform, and usage won't be uniform either, which I get it. Wrestling is a variable business, and even New Japan Pro Wrestling can't run a G1 Climax-style schedule all year and has to max out at 20 wrestlers in two blocks. How do you bridge the gap between saying that records are important and making the fan believe those stakes are real? Jim Ross halfheartedly yelling it between snide complaints that seem to be too bitter to be worked comments isn't going to do it. The best answer is to look at a wrestling promotion which has best integrated the idea that match results mean something and having a well-established storytelling template and vibrant feuds and angles.

I'm talking about Chikara Pro Wrestling, of course.

A promotion that the old codgers who like to talk about match results mattering, or not mattering more accurately, love to pile shit on Chikara, which they feel isn't "wrestling" because it has things like anthropomorphic wrestlers, time travel, slow motion, and mad science. Personally, I think those things add color to any wrestling promotion, but that's just me. What Chikara has that is most germane to the "real sport feel" argument is the fact that it has a concrete way of making sure wins and losses matter, and I'm talking about the points system.

Chikara has two Championships that fall under this jurisdiction (the Young Lions Cup is the only one that doesn't). The Grand Championship and Los Campeonatos de Parejas, and both titles require that the challenger has three points before they can get a match for that/those belt(s). You earn a point by winning a match, or by gaining a fall in an elimination match. You lose ALL your points when you lose a match or are eliminated from an elimination match. The beauty in it is its simplicity. Wins are coins, literally, as Chikara uses oversized coins or medallions to signify a point. How you earn them is simple, how you can lose them is simple. There are no riders or qualifiers. A rookie doesn't have to jump through further hoops if they win three straight singles matches. And the way Chikara books its cards with multiple multi-competitor matches to the key of trios and atomicos matches, the idea that you have go to 50-50 booking out of necessity to not dilute title matches goes away.

A top-three wrestling promotion in silliness (can't overlook Kaiju Big Battel or Inter Species Wrestling) in America runs with a pure sports foundation that has worked ever since los CdP were introduced. No other company has an excuse to fail at implementing their "wins and losses matter" trappings, and yet how many companies really have succeeded doing something like that? I'd argue only Chikara and New Japan, and the latter only during its round-robin tournament seasons (G1, Best of the Super Juniors, both tag leagues). You can't just look at WWE diluting wins and losses (and WWE has done a terrific job of making sure nothing matters at all over the last 20 years), and say "I'm not going to do what they're doing." Trying to sell people on match results mattering absent a story backing it with a negative promise is untenable. You need a plan. Chikara has one. Honestly, wrestling is so steeped in unoriginality, that maybe AEW SHOULD copy the points system. I mean, one of its referees, Bryce Remsburg, has been with Chikara since its inception. Its roster has former roster member Chuck Taylor. The Young Bucks held los CdP there. If Mike Quackenbush is offended that they would steal that idea, then shame on him, because good ideas are the ones most worth emulating.

Whether it's the Chikara way or some other different but effective manner, wins and losses mattering has to have some kind of concrete foundation. It can just be something Omega tells Ross to say on commentary during his matches when he's sad that he's coming off a loss, no matter how many wins he was booked to have beforehand. No matter how badly wrestling promotions past or present have been in this department, win/loss records need to be shown, not told, and even with that backing, you probably still need to have a strong creative department thinking of angles to put with those wins and losses anyway. In fact, saying that you really treasure match results? Yeah, that's just another angle that you run. Funny how it all comes back to the script, isn't it?

So, WWE Did an Intergender Spot

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The intergender portions of this match don't really signify anything good, I don't think
Photo Credit: WWE.com
Sunday's Extreme Rules was notable for a couple of things. One, Brock Lesnar cashed in his Money in the Bank contract and became Universal Champion once more. This decision isn't worth the bandwidth to discuss because it only exposes WWE's structural rot in that it has to feed a beast out of some misguided idea that he puts money in the McMahon's bank accounts. People more plugged into that kind of analysis can tell you how wrong that idea is, and the fact that 75 percent of his matches end up being pretty good does not really justify having his incredibly red ass around a normal company. Since WWE is far from normal though, I feel like they deserve each other.

The other notable thing happened a little bit before the cash-in, in the "Winner Take All" main event where real-life partners Seth Rollins and Becky Lynch teamed up to defend their Universal and RAW Women's Championships against Baron Corbin and Lacey Evans respectively. During that match, Corbin hit Lynch with his finisher, the End of Days. It wasn't the first time a woman bumped for a man on purpose recently, but any other time a woman has taken a move from a man, the setting has been a bigger competitor like Beth Phoenix, Kharma, or Nia Jax entering the men's Royal Rumble match. Lynch is more "normal" sized (really though, bigger women ARE normal, just not to WWE's perceptions), and to see something like that happen to someone who wasn't taller or bulkier than the average WWE female performer, you'd have to go back before TV-PG. Men have been bumping and taking moves for women just fine, most notably a few weeks prior, when Lynch put Mike Kanellis in the Dis-Arm-Her as a set-up for Maria Kanellis to berate him in the ring. However, in Vince McMahon's mind, nothing is probably more humiliating than a man being violence'd by a woman. Of course, McMahon would be better served to look up woman-on-man domestic violence statistics or maybe not assume that because a cis man has a dick that he's not necessarily tougher than a cis woman, but I've been banging that drum for a good long time.

Anyway, the End of Days spot was still notable, but if you think it means all bets are off and equality is here and that Lynch and Bayley are about to haul ass and annihilate Lesnar and Kofi Kingston to unify the brand titles, well, I don't think that's the case at all. The key was in the commentators' reactions. They fell all sullen when it happened, as if an able-bodied competitor doing a perfectly legal move to another able-bodied competitor between the bells is something over which to get mortified. Their reaction, and the camera panning to Rollins with a look of disbelief on his face as if someone just told him CrossFit has nothing on jogging, says to me that the spot was not something that signaled Lynch being equal to Rollins or Corbin, but that it was part of WWE's push of going away from TV-PG to attract more teenagers.

Fans and analysts alike love to say Corbin is a "great" heel because he annoys people, and WWE probably heard those cries and thought, "hey, let's make him hit a woman because THAT'S heeling, baby." I mean, yeah, hitting someone like Miss Elizabeth or Sapphire is a heel move because they're not competitors. Lynch is one, and she closed out WrestleMania for fuck's sake. Of all the people employed by that company, Lynch as a damsel in distress, being taking a move that is probably not even 75 percent of the big bombs she's taken at the hands of Jax, is an incredibly tone-deaf decision. If anything, Lynch should have taken that move at the end of a sequence with Corbin, kicked out of it, and moved into her comeback where she tapped his ass with the Dis-Arm-Her. However, WWE has a track record with another piece built to it on Sunday night.

I think people who are looking at this as anything but WWE trying to be edgy are going to be disappointed. While it would be tremendous for WWE to say "hey, gender is a work, so men will wrestle women" would be miraculous, miracles don't happen with Trump-donating outfits who don't innovate but glom up trends from elsewhere. Other companies are doing intergender wrestling, sure. Impact Wrestling, for example, is leading the charge on (somewhat?) national television. One would think that WWE could see something like that and ape it for its own audience. That being said, given the trappings around it, I'm pretty sure they just wanted to show to all the teenagers how cool their product is, even though I'm pretty sure a good bit of its desired target audience can see right through it and would think that if they were following it up in good faith, that it would be a whole hell of a lot cooler.

The "Best in the World" Can't Even Take a Stunner

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Look at how red he is just talking, and  you want me to believe his stunner-botching ass is the best at anything?
Photo Credit: WWE.com
If you tuned into Smackdown last night to watch Daniel Bryan's "career-altering announcement" only to find that it was another WWE bait-and-switch that saw it interrupted and set up for another tag title shot, well, at least you got to indulge in some McMahon Family Schadenfreude to open the show. Shane McMahon, who way too easily turns bright shades of red from speaking, held a town hall that predictably ended with Kevin Owens attacking him. Owens, who has added the stunner to his arsenal since his return from injury, attempted to give one to McMahon. The results were not befitting someone who has been deemed "Best in the World" by the company his dad owns:

You would think that a dude who spent about three years taking that move from Steve Austin would know not to drop to his knees until Owens at least had the three-quarter facelock on him. Yeah, shit happens, but the problem is McMahon is known for fucking up basic wrestling actions (see his punches that fall about four inches from the target's face while they're still forced to sell), is only in his position because of nepotism, and is called the "Best in the World" as his gimmick.

Of course, he's a heel now (although he wasn't for the first portion of his run with that moniker), so it should follow that it could be an ironic title, a failson gimmick on a guy who totally doesn't deserve his spot but is there because CRONY CAPITALISM, BABY. The problem with assuming WWE is doing this ironically is that one, they think crony capitalism is good and aren't aware enough to play it off as an ironic gimmick, two, it started out as a face gimmick, and three, whenever McMahon has a match, he gets to do what he wants to get himself over, whether it be falling off higher heights than most wrestlers would even think about being cleared for or pretending his Sunday BJJ lessons make him credible enough to play-fight with pro wrestlers doing this every day.

Regardless, while, say, someone even as odious as Dolph Ziggler would and should get the benefit of the doubt on this, McMahon doesn't. He's only back in WWE because it was his safety net after his venture into Chinese telecommunications was a big fat nothing. So now he gets to get blown up after walking to the ring and gets to look like he's about to die every time he goes over three minutes in a match in prominent spots with invulnerability just because of who he is. Meanwhile, Kofi Kingston did the exact same thing McMahon did, fuck up taking a cutter-type maneuver, and it's arguable that he was punished with a decade-long delay in getting to win a top title. When shit happens for an untrained failson, it's okay, but if you do it every day and happen to mess up at an inopportune time, you're done. I guess it helps that Kingston's flub was magnified because Randy Orton had a diaper baby tantrum after the fuck-up, but still, imagine McMahon being in that position. Who do you think would get punished, him or Orton? Thought so.

Either way, him fucking up a move he's taken so many times before SHOULD have Daddy Vince end the experiment that of Son Shane being The Guy on one of the company's brands. It won't, because there's nothing Vince McMahon loves more than putting over his family name. Capitalists believe they, the people with the money, are the supermen, and labor is super expendable, even though if WWE unionized and struck tomorrow, the company would shit a collective brick having to run three hours of RAW with only Undertaker and Triple H filling time. If someone is getting the "advance directly to Go" card because of his last name, he'd best better be good every time out, if not perfect. Taking a stunner like that? Yeah, that is the opposite of cutting muster.

It's Time to Start a Dialogue about Shawn Michaels

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Sometime around here is where Michaels introduced the rot that infects wrestling nowadays
Photo Credit: WWE.com
What is your biggest pet peeve as a wrestling fan? Mine, by far, is wrestlers talking about having good matches while on the clock. When they're on Twitter, out of character, it's fine. They should want to take pride in their work. However, part of the work is making the fan believe in the moment that what they're watching is real, even if as soon as the show ends, they remember that it is all staged. It'd be like Daniel Day-Lewis talking about his acting method while he's playing Bill the Butcher. I need the wrestling character to talk about how they want to win, how they want to be Champion, how they want the bigger share of the purse. I don't want to hear Seth Rollins talk about entertaining people. I don't care if Kenny Omega cares about Dave Meltzer star ratings. It's a dichotomy that at least wrestlers for the most part used to get. Do you know where that dichotomy started fizzling away? Probably around the time Shawn Michaels started calling himself "The Showstopper."

The first wrestler who really, in-character, cared about whether you liked how he worked or not was Michaels. Unsurprisingly, he's a guy Meltzer latched onto, because whether Michaels meant to or not, he pretty much gave Meltzer validation for his star scale. A lot of other wrestlers latched onto him as well, as he became quite the influence on a lot of fledgling workers. While I personally find a lot of his in-ring work to be overwrought to the point of parody, he is cited by many to be one of the greatest, if not the greatest American worker of all-time. Thankfully, that crop of wrestlers also took influence from Japanese junior heavies like Jushin Liger and Great Sasuke, Japanese heavies like Mitsuharu Misawa and Shinya Hashimoto, and well, the Japanese women that the former two categories ALSO took influence from like Megumi Kudo and Manami Toyota. So instead of a whole bunch of Michaels clones, the wrestling scene got a well-rounded mix of wrestlers who happened to also really like the Heartbreak Kid. However, that like influenced them in the wrong ways.

Michaels' whole aura of being the best wrestler not by winning but by having the best matches leaked into other wrestlers' brains and mutated. Calling himself "Mr. WrestleMania" despite having a losing record there and WWE backing it up (I can't stress this enough, Michaels cannot be a destructive influence without the single biggest wrestling company in history signal-boosting him) inspired Dolph Ziggler to distill that message into the more ham-handedly simplistic message of outright saying "I'm here to have the best match on the show, even if I lose." It mutated in Davey Richards' mind when he decided he'd take all the tension and stakes that happened in the match preceding and throw it in the dumpster by telling his opponent that he did great in there and that he's special and that this match was so good! It allowed the Young Bucks to get buddy-buddy with Meltzer and even name a move after him.

Hell, the effects started not shortly after Michaels innovated this trash. Rob Van Dam himself rose to prominence around the time Michaels was losing his smile, hurting his back, and getting too drugged out for his own good. He would call himself the "Whole F'n Show" and talk about how World Championship Wrestling and WWE are in bidding wars to have him on their rosters, not because he won a lot of matches, but because he was entertaining, flashy. He was a stark opposite to Taz, whose motto was "win if you can, survive if I let you," perhaps the character most driven by the need to win matches in Extreme Championship Wrestling. RVD even called his finisher the "Five Star Frogsplash," which was a direct reference to Meltzer's scale. I guess you could commend him for taking that persona and weaponizing it against both WWE and WCW for the greater glory of ECW, especially since he didn't jump to WCW when nearly everyone else in the company did, and he didn't go to WWE when Vince McMahon finally allowed his relationship with the "renegade" outfit to become a full two-way one. Still, he was part of the sad revolution to take the most important thing, the wins and losses, out of kayfabe.

It's why when anyone starts singing paeans to Michaels as one of the all-time greats, I start to convulse and leak pus from various orifices. Even if you ignore how bad a Champion he was or how he would conveniently lose his smile when it came to putting someone over or his drawing numbers, his biggest hallmark influence on the business will be divorcing importance in wrestling from wins and losses. It's not even just that wrestlers are making it part of their character. WWE actively pushes guys both on main and in NXT who make that their calling card. Seth Rollins doesn't fucking care about being Universal Champion as much as he does having the best match. Shouldn't that bother you if your job as a promoter is to make that title mean something? WWE talking about "performing" or having categories for "best match of the year" for its various awards is all a direct result of Michaels being allowed to be the Showstopper and McMahon being so under his sway that he thought it a good idea to adopt for his company. For that reason, I can't think of any reason to entertain arguments for Michaels as the best of anything, unless it's the "best scumbag in wrestling history." Even then, he's got tough competition. Wrestling is historically full of awful people.

Parlez Vous Français?

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French wrestling exists, and PROGRESS is mining it in August
Graphics via APC's Twitter
Pro wrestling is a worldwide sport/art/phenomenon. Sure, some countries have more prominent scenes than others. The United States, Canada, Mexico, Japan, and the United Kingdom all have notable companies and far-reaching cultures. Germany, Australia, and China all are emerging markets. But WWE doesn't just tour those countries. World Championship Wrestling and New Japan Pro Wrestling didn't go to North Korea just to whistle dixie. Wrestling happens in almost every country. Of all the countries and cultures around the world that don't already have a hyperfocus on them, France is probably the most surprising. The most famous wrestler in history, Andre the Giant, was a Frenchman. It's just baffling how no big spotlight was put on France until now.

PROGRESS Wrestling, one of WWE's satellite promotions, has announced that it will be running its first show in Paris in collaboration with Association les Professionnels du Catch, which is the resident indie for The City of Lights. The show is happening on August 24, and technically, it is an APC branded show. That being said, the fact that PROGRESS is sending over branding and a coterie of wrestlers is huge in that someone is finally paying attention to a country's wrestling scene that wasn't already overexposed to holy hell.

This isn't PROGRESS' first rodeo, although much like with Pete Dunne, Mark Andrews, and Moustache Mountain in the past, it had to wait for Chikara to show them the way with White Wolf Wrestling in Spain. Now, the White Wolf lads are all over the place. A-Kid not only parlayed a visit from Zack Sabre, Jr. into a five star rating from Dave Meltzer and regular PROGRESS and now WWE NXT UK bookings, but he's headed to Reseda for this year's Battle of Los Angeles. Of course, this development isn't 100 percent warm and fuzzy. The fact that PROGRESS is the one colonizing Europe's wrestling means it's really WWE doing it. The last thing the wrestling world needs is for the truffles that are wrestling cultures in heretofore underexposed countries with the pig's snout belonging to Paul Levesque.

That being said, if this visit gets eyes on APC, maybe some other enterprising French promotion will rise up and show that the country isn't just that one promotion Jim Smallman and Glen Joseph happened to find profitable for partnership. Maybe there's a deathmatch promotion in wine country that has innovated the use of bottles for weapons. Or maybe an outlaw promotion in Avignon will rise up to challenge the hegemony of other companies worldwide. Or maybe this will be the impetus for people to start mining other countries for stuff to watch before WWE gets the idea to send its proxies looking. For example, did you know Italy has a burgeoning wrestling scene? Central Africa feels like a scene ready to explode, as I've seen clips ranging from kids in Gabon "trying this at home" on the beach to the Democratic Republic of Congo having open-air, organized wrestling. Hell, other countries that have amateur wrestling cultures like Senegal and Mongolia also are ripe for organizing the scripted stuff.

The world is huge and full of possibility. It shouldn't take WWE setting feelers out for people to pay attention to countries out of the ordinary, but hey, sometimes, you just gotta take what you can get. Hopefully, this partnership between PROGRESS and APC will get enterprising, independent wrestling distributors looking at other countries. You never know, maybe the next big boom comes out of Hungary or Malaysia. Maybe it's hard for regular dickheads like you or me to stay vigilant, but hey, people in the know, they're the ones that can be doing the legwork for the rest of the wrestling fan public.

Twitter Request Line, Vol. 268

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The Curvy Wife Guy, pictured above, really wants you to know he loves his wife even though *Scott Steiner voice* SHE'S FAT
Photo Credit: Kailee H. Judd
It's Twitter Request Line time, everyone! I take to Twitter to get questions about issues in wrestling, past and present, and answer them on here because 280 characters can't restrain me, fool! If you don't know already, follow me @tholzerman, and wait for the call on Wednesday to ask your questions. Hash-tag your questions #TweetBag, and look for the bag to drop Thursday afternoon (most of the time). Without further ado, here are your questions and my answers:

For me, it has to be the Curvy Wife Guy. Is it because he's the first Wife Guy I can remember? Maybe. Or is it because the dude got Internet-famous for loudly declaring that, yes, he will still fuck his wife despite her being fat? Yeah, this is probably the reason. Not only is it sort of demeaning in that he's making a big stink about his wife being curvy, which I think you can figure out for yourself why that's wrong (or yell at me for why I assume that's wrong which is wont to happen as well), but the most hilarious thing is that he actually thinks he's an innovator in this field when millions upon millions of people love their spouses and don't make mention of the fact that they might not have Hollywood actor measurements. Even more hilarious is that there's an even further niche subsection of people who fetishize bigger people. I mean, he's not even an innovative creeper! It's what all makes this guy so (unintentionally) hilarious.

This question is super difficult because I like both and have done both. While more people should eat "lunch" or "dinner" foods for breakfast though, I think breakfast for dinner wins out by a hair. Really, bacon (or sausage or ham or pork roll or scrapple or whatever) and eggs with some kind of starch — be it toast, hash browns, home fries, or even pierogi — is almost the perfect meal and is super versatile. In fact, breakfast foods putting protein first actually make it more ideal for AFTER a hard day's work or activity because you need the protein to restore or build up your muscle, whereas that big bowl of pasta you're sitting down to eat at dinner time is probably better suited for breakfast.

Or who cares, eat what you wanna eat, when you want to eat it. I'm just saying, breakfast for dinner is a staple across working class and poor homes for a reason.

True story, my brother had a PlayStation but I rarely played it outside of the three Final Fantasy games for it and a MegaMan X title. I was more a N64 kid, so, I will give you my roster of 20 N64 games that should definitely go on it:
  • Super Mario 64
  • Mario Kart 64
  • Paper Mario
  • Mario Party
  • Super Smash Bros.
  • The Legend of Zelda: Ocarina of Time
  • The Legend of Zelda: Majora's Mask
  • Donkey Kong 64
  • Goldeneye 007
  • Perfect Dark
  • Banjo-Kazooie
  • F-Zero X
  • Kirby 64: The Crystal Shards
  • Harvest Moon
  • Pokémon Stadium
  • Pokémon Snap
  • Star Fox 64
  • Yoshi's Story
  • Conker's Bad Fur Day
  • Bomberman 64
Am I missing some classic titles? Yeah. Can I survive without any of the AKI wrestling games? Also yeah. Still, that's a good list, I think. Sorry I couldn't ruminate on that PS Classic though.

I don't wanna.

In all seriousness, Extreme Rules is such a nothing event that I'm taking three matches from the 2012 show and only one other match for a short, "EP" mixtape:
  • World Heavyweight ChampionshipBest Two of Three Falls: Sheamus (c) vs. Daniel Bryan (2012)
  • The Shield (Roman Reigns, Dean Ambrose, Seth Rollins) vs. Evolution (Batista, Triple H, Randy Orton) (2014)
  • WWE Championship MatchChicago Street Fight: CM Punk (c) vs. Chris Jericho (2012)
  • Brock Lesnar vs. John Cena (2012)
Notable matches that are blocked by either title or redundancy are Roman Reigns vs. AJ Styles for the WWE Championship in 2016 and Randy Orton vs. Kane in that wild garbage brawl in 2012. Wow, Extreme Rules really is 2012 and a whole shitload of nothing, isn't it? I guess you can throw Cody Rhodes vs. Big Show for the Intercontinental Championship from 2012 in there if you want a silly palate cleanser, I guess.

First off, I completely agree. More wrestlers need to bring animals to the ring. The only person who does it nowadays is Teddy Hart, and he fucking sucks. No, seriously, even if you ignore the fact that rape charges against him magically disappeared because *shrug* (and you shouldn't, to be honest), he's accused of abusing the cats he brings to the ring. So fuck him.

Anyway, list of the people who should bring a pet to the ring starts with Liv Morgan, who should have a little frou-frou dog, something like a lhasa apso or a French bulldog. I don't know why, but it feels to me that someone with a Harley Quinn-adjacent character should have a cute pet to belie her inner psychosis. Second, Alexa Bliss should bring Larry Steve to the ring, but only because I think Larry Steve owns. If you think he'd be too much of a sympathizing figure for the devilish Bliss, let Buddy Murphy take him to the ring. Third, let Yuka Sakazaki have a parrot. If she's the Magical Girl, she should have some kind of animalian companion, and I think a parrot or even a cockatiel should be perched on her shoulder. Actually, the same should go for Kairi Sane, since she's, y'know, the Pirate Princess. Fourth, the Estonian Thunder Frog should have a real frog, sorry if this offends. In a similar vein, Allie Kat should bring a cat to the ring, and perhaps the Proletariat Boar of Moldova should be accompanied by a pig like Larry Steve. Next, in an attempt to counter Solo Darling and Officer Magnum, Team FIST should have a pit bull. Finally, Toru Yano should be accompanied to the ring by a mischievous but cute monkey that steals things and distracts the ref while Yano is trying to cheat.

Perception is always reality. If you don't think he's shoved down your throat, he's not shoved down your throat. Folks who feel like he is will find reasons that aren't title reigns. It's true that Reigns held the title laughably less than Cena did at his peak. It's also true that Reigns was still a huge part of the main event despite the people who think he was artificial thinking he didn't earn it. "Earning it" is a funny context in wrestling, especially in WWE, where no one earns anything, really. So while Brock Lesnar fucked off with whatever title he had, or when Seth Rollins was having his DISASTROUS first title run, Reigns was still front and center. If Reigns is shoved down anyone's throat, it's not his fault anyway. Vince McMahon has one speed, and it's not a good one.

The best is Melinda May, same as it has been for the whole run. She's kinda taken a backseat this season; I really dig Snowflake, but only because she seems to do SANitY-era Nikki Cross better than Cross did. But May is complex, but not overwrought, and she's very good in action scenes.

The worst character is Mack, because he broods too much for an actor who can't really brood. I also hate the way he says "tech." I mean, I don't hate him, but he's the weak link on that cast.

The thing is that I go in and out with lyrics. One day I'll love them from one song, another I'll think how could I ever like something so tacky or fakedeep. But I'll go with these lyrics from Janelle Monáe's "I Like That":
I remember when you laughed when I cut my perm off
And you rated me a six
I was like, "Damn"
But even back then with the tears in my eyes
I always knew I was the shit
It sorta distills a whole lot of an experience that a non-binary femme might go through, being judged on their looks. No matter how confident you are, no matter how much you know you're "the shit," when someone tells you that your new haircut makes you less attractive, well, your ego takes a hit. But it's the perseverance, y'know? That idea that no matter how much some boy you like intimates to you that you are not his type in crude language, that you can overcome it and become something greater, something that transcends what other people think. And to be in a position where you can address that person in a song, well, that's priceless.

Two lyrics questions in a row? Wow. Anyway, I would probably get "Exit Light" tattooed on my buttcheeks for obvious reasons. But I don't wanna get a tattoo, so you'll be spared from that.

CM Punk Is Gonna Be at the All Out Starrcast

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Punk is gonna yak about whatever's on his mind at Starrcast
Photo Credit: WWE.com
When you think of an All Elite Wrestling supershow, you also think of the gathering of wrestlers and wrestling media personalities that happens before it, Starrcast. Technically, Starrcast predates AEW, as it happened before All In, the promotion's precursor and one of the all-time greatest scams against a target (Ring of Honor) that deserved it. The convention has been more notable for who has gotten pulled off it, at least for the one before Double or Nothing. However, the folks running it caught a whopper for their third installment in advance of the All Out show Labor Day weekend, probably bigger in name currently than Undertaker, Kurt Angle, or Booker T, and the name is already fueling rumors of a return to wrestling. That's right, I'm talking about CM Punk.

Punk was announced yesterday, and already the takes are flying. The funniest ones are cringing preemptively about how bad he's going to trash Vince McMahon and Paul Levesque and WWE. Even though I doubt he has any new material that he didn't reveal in that infamous Art of Wrestling episode (a podcast which Colt Cabana yesterday announced was coming to an end this year, sad), I don't know why him playing the hits would be a bad thing. Regardless of how much of a throbbing dick you think Punk is, his grievances are legit, and WWE cannot get dragged enough for what it does to not only wrestlers but the wrestling industry. Besides, the guy has a way with words, so whatever he says will have the people at his booth in his thrall.

Of course, because people cannot leave very well enough alone, this appearance has already sparked rampant speculation as to whether he's making a wrestling comeback. If you had asked me around the time of All In, I'd have said no. Punk, by all accounts, sounded done with pro wrestling, and he was happy being a comic book writer and MMA flameout. However, he made a one-off appearance for Silas Young's MKE Wrestling earlier this year in a mask, where he ran into the ring, gave a wrestler the Go 2 Sleep in defense of Ace Steel and Dave Prazak, and left immediately. It's in line with things he's been saying about wrestling, that he wouldn't come back to a grind, but that he would make appearances here and there, when he saw fit, possibly masked wrestling his friends. It all lines up.

So what would it mean for him in AEW? Ironically, he'd probably be their Brock Lesnar if he wrestled for them at all, probably making an appearance here, a promo there, and if he ever was to work, probably a one-off match where he ended up putting Cody or Kenny Omega over at Double or Nothing II. Still, everything one would write about a potential Punk match feels like fantasy booking at its most outlandish. I can't stress enough that Punk returning to wrestling in a mainstream capacity would be the first seal of the Apocalypse breaking, and him returning full-time would be the seventh. To me, this Starrcast appearance feels like something he agreed to do because it was in his hometown, and he'd get a chance to make a few extra bucks.

That being said, his appearance is a good thing, as people still hold a place in their hearts for him. While the "CM PUNK" chants at WWE shows are less about him returning and more a protest about creative direction, people do not forget. Even though they're retired or unable to wrestle physically, people still love talking to the old-timers, hearing their stories, picking their brains. Punk isn't geriatric territory yet, but the memories of him are so fresh that people getting the chance to hear him talk frankly so close to his career make him even more in demand than, say, Lex Luger or Tully Blanchard (who is now managing Shawn Spears).

NXT In 60 Seconds for July 17, 2019

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The rematch's rematch is on, with a twist
Photo Credit: WWE.com
Matt Riddle: comes out to a good pop offering Bro Bumps
Arturo Ruas: comes out in an all black gi and is now focused more on his capoiera
Both: fist bump after the bell rings, then grapple on the mat earning two brief applause breaks
Ruas: successfully executes an ankle pick
Riddle:makes the ropes quickly
Ruas: gets a couple of takedowns
Riddle: Upkicks! Final Flash knee! GandP!
Referee: That's it! I'm calling it!Winner!
Riddle: celebrates then gets jumped from behind
Masked Man: is a Tool fan named Killian Dain, hits him with three sentons in the ring, one outside of it, and another on the top of the ramp to send them both through a panel before crawling out, listening to the refs and leaving

Street Profits: brag about being the NXT World Tag Team champions, note they won the ladder match to earn them where Fish and O'Reilly failed, and invite them to bring The Smoke

God's Production Team: via "a fan's cell phone video""last Saturday" see Mia Yim jump Marina Shafir in the parking lot of a live event, slamming the door on her to boot

Sam Shaw Dexter Lumis: wears black gloves, hails from an undisclosed location, has a mashup of the Halloween and Stranger themes for entrance music, and doesn't do a picture in picture Here's Who I Am interview; creep, weirdo, etc
Announce: wonders what the hell he's doing here and that in NXT, someone like him doesn't belong here

Jonah Rock Bronson Reed: a pint and a fight kind of guy hoping to educate us on Australian Strong Style
Dexter: Tope con hilo!
Bronson: dodges
Dexter: lands on his feet
Bronson: Flying crossbody! Back in the ring with you!
Dexter: Double thrust to the throat! Back suplex! Senton bomb!
Bronson: Dodge! You go splat now! Flying splash!
Referee: Winner!

Breezus: You know, Cathy, everyone has a group and friends watching their backs here now. I should either adapt or
Forgotten Sons: It's not the old NXT anymore. It's not the Tyler Breeze Show.
Breezus: (to Ryker) Aren't you Buddy Murphy?
Forgotten Sons: Crap like that right there? That's why you were never taken seriously.
Breezus: Guess what, boys? You don't scare me. I've seen everything. walks
Forgotten Sons: fume

GPT: lets us know about Io/Kacy for next week

KUSHIDA: gets a good pop
Apollo Crews: gets a huge pop and Welcome Back chants
Both: shake hands
KUSHIDA: Gator Roll! Handspring double heel kick!
Crews: Pop up Malenko gutbuster! Bulldog suplex!
Nigel McGuinness: It's too easy for him!
Crews: Stinger splash! Overhead belly to belly!
KUSHIDA: Kickout! Upkick to the left arm! Handspring back elbow! Hiptoss to set up the cartwheel basement dropkick! Owenzugiri from the apron! Step-thru tornado DDT!
Crews: Kickout! Bike kick! Deadlift German trifecta! Standing Shooting Star Press!
KUSHIDA: Kickout! Complete Shot into the middle turnbuckle! Springboard rana! Pele kick!
Crews: Bigger Owenzugiri!
Both: down
Full Sailors: applaud NXT! NXT! NXT!
Both: fight on the top rope
KUSHIDA: SUPER FLYING CROSS ARMBREAKER!
Crews: turns in the hold to try to reach for the ropes
KUSHIDA: Sakuraba Lock!
Crews: lasts for a bit but eventually taps
Referee: Winner!
Both: give the other props and shake hands

Keith Lee:Well, Cathy, my year has had some progress, but more stops and starts. So many opportunities I was promised and yet I stand here passed over between the Breakout tournament and all of them getting chances, and this Damian Priest being talked about. It falls on me to change the narrative so that I am the one talked about. I'll show why I should be. Thanks, Cathy. Great idea. Have a good one. walks
Queen Cathy: ...but I didn't
GPT: inform us Priest/Lee will also be happening from the 32792 next week

Some Guy: comes out with Goldie, points a thumb to himself, then shootstwo pairs of two fingers in the air
Everybody, Probably Even You: ADAM COLE, BAY BAY!
Adam Cole: I've been around the world and I I I I - I've been celebrating, showing you morons what a true champion is. What true power is. And while I've been gone, my boys have been handling business and there is an undisputed power switch happening in NXT right now. I'm a fighting champion, set against all comers; anyone, anytime, anywhere - like, say, tonight. Like, say, against:
RegalTron: shows Johnathan Grapples at that wrestling school in the spring, as well as the avuncular student he talked to and let hold the NXT championship, Tuan Tucker
Tuan Tucker: comes out
Full Sailors: Tuan! Tuan! Tuan! Tuan!
Adam Cole: I hope you realize you're getting the opportunity of a lifetime here. No UE. Just you and me. Heh. Maybe you'd like to slap the taste out of my mouth.
Tuan: And maybe I didn't come alone.
PA: plays Not Paramore
Johnny Gargano: runs out and beats Cole like a rented goalie in and out of the ring, culminating in myriad superkicks and making Cole tap out to the Escape by applying it around the throat, then stomps off and holds up 3 fingers

BUT WAIT, THERE'S MORE:

Beyond Wrestling Uncharted Territory Episode 16 Reader's Digest

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Statlander had the best match of the evening with Solo Darling
Photo Credit: Scott Finkelstein
The 16th episode of Uncharted Territory, as has been standard for the last few weeks, emanated from the White Eagle in Worcester, MA, with its sweaty ropes and turnbuckles this past Wednesday. You can watch it on demand on Independent Wrestling TV It was a good one. My thoughts on each match are below!

Leyla Hirsch vs. Jon Silver - It's so funny because Silver is almost like the male counterpart for Hirsch, at least body-wise. They're both short and incredibly thick with musculature. Granted, Silver is more jacked than Hirsch is, but man, would you want to try and move her from a standing position? I think not. Anyway, this opener was exactly the pace-setter the show needed. They threw bombs at each other for like 15 minutes or so, and it was glorious. It was the kind of high spot match where you fear for each wrestler's safety at its worst, but the thing was they're not high spot wrestlers. I mean, Hirsch does a moonsault, and it's really good. But they translated recklessness into doing mat shit and apron suplexes, total car-crash mentality. After the match, of course, Alex Reynolds came in because the Beaver Boys are NO MORE. If it leads to a tag match where Silver and Hirsch just menacingly roll into Reynolds and his partner like human bowling balls, then I'm all for it.

The Butcher and the Blade (Andy Williams, Pepper Parks) vs. American Strong (Rory Gulak, Jay Freddie) - I wanted to like this match a lot more than I did, to be honest, because it was extremely my shit on paper. You had burly, avuncular Williams fending off two smaller dudes with Napoleon complexes who do amateur wrestling, and Parks is decent too. But this match never really got started, and when it got going, it went off the rails slightly enough that it felt askew but didn't really look as disastrous as one might expect. There was stuff to love here, and I'm still in awe that the guitarist from Every Time I Die is now one of the most prominent HOSS guys on the indies, but overall, it was flat.

Daniel Garcia vs. Christian Casanova - If promos were indicative of match quality, Garcia would have fucked up all his moves and slipped on a sweaty turnbuckle. I really think that wrestling schools are doing their students a disservice by not having promo coaches there, but then again, it was only one promo. Either way, it let my guard down for the concentrated intensity that was his Discovery Gauntlet match against Casanova. It may not have even reached the 90 second mark, but my God, Garcia chewed Casanova up, spit him out, and breathed fire while doing it. Maybe it'd be a monkey's paw thing, but I can't wait to see this guy in a longer match against a more weathered opponent.

Fred Yehi vs. Chris Dickinson - Maybe it's unfair that I placed my expectations so high for this match, but really, Yehi has been one of my favorite wrestlers since I first stumbled across one of his matches in 2013, and Dickinson has been perhaps the best dude on the American indies for the last year. They had a match that would have been the best on probably two-thirds of every WWE pay-per-view of the last 12 years, and a top match on several indie cards as well. It was probably the fourth or fifth best match on this card, depending on how one would feel about the main event (more on that later). I think that speaks to two things. One, this show was pretty stacked. Two, both Dickinson and Yehi have a tenth gear where they just go apeshit, but even when they don't hit it, they're still giving you a solid match of the night contender. Those are guys you want to have on your roster, especially if you're an indie promotion based more on in-ring than overall.

The match itself had a slow pace, but not boring, which is an important craft to master. I'm so used to seeing Yehi move like a toddler with a sugar high that him slowing down the pace and working as more of taskmaster was shocking. He played the hits too, especially with his hand stomp, which is one of the best mid-match signature moves going today. I feel like Yehi as this dungeonmaster borrowing from equal parts Bryan Danielson and Charlie Kelly would be an amazing touring character. I have to wonder if Dickinson's nagging injury that caused him to miss the Homicide Tribute show flared up and gunked things up. I'm not sure, but hopefully he'll be healed enough not just for Daisuke Sekimoto at Americanrana, but Timothy Thatcher next week. As for Yehi, it feels like he's not going too far away from Beyond. Him wailing on Dickinson's nutsac after the match hints that he'll be back and probably will be the Dirty Daddy's focus after A-Rana.

Going back to the Thatcher news, if you're reading this Denver Colorado (The man, not the place!), can you please get Trashy Tim to stick around for one more week so he can work Leyla Hirsch? I need it. For science.

Thomas Santell and Nick Gage vs. Richard Holliday and Kenn Doane - I really don't have much to say about this match except that Nick Gage is a flaming ball of violent energy wherever he goes, and I still can't believe people just write him off as a bank robber (rehabilitated, thank you very much) or a deathmatch guy (as if some of the best wrestlers of the last 20 years haven't been deathmatch guys). Santell looked good too, but I couldn't tell you a damn thing about Holliday, and Doane kinda was muted here too. It was a showcase that did its job, building up Santell and Gage for both next week against Cam Zagami and Christian Casanova, but for Americanrana where they face the team of Filthy Tom Lawlor and Bryan Alvarez, yes, the same Bryan Alvarez of Figure Four Weekly and Observer Radio.

Brandon Thurston vs. Wheeler YUTA - Holy shit, this match was tight, focused, intense, and brutal, just like any match you'd want to be on the top half of your show. I'm getting higher and higher on YUTA everyday, but man, Thurston, who knew he had that in him. I thought he saved his fastball for analyzing the most boring aspects of financials on Twitter, but apparently, he's a grapplefucker on the level of Thatcher, the Gulak Bros., and Tracy Williams. The match centering around YUTA's arm and selling it was brilliant as well. Of course, that arm thing dovetailed into Chuck O'Neil coming out and continuing his quest to armbar the hell out of YUTA, and this time, he attacked an official, much to the delight of Sidney Bakabella. O'Neil is "banned" from next week's show, which only makes me hope he shows up and armbars the shit out of more security guards.

Kris Statlander vs. Solo Darling - First off, I will never, ever, EVER get tired of Officer Magnum coming to the ring with Darling. Second, these two had a real tough act to follow, and man, they exceeded expectation bigtime. Hard to believe, but this was the first time I watched a Statlander match that wasn't her in enhancement mode putting over the Iiconics on WWE television. My God, I see what the hype is about. There were times in the match where I thought that the height disparity was going to cause an issue, but Statlander's athleticism and flexibility not only made bumping for Darling work, she busted out some pretty insane kick counters out of places I didn't even think could generate them. Just the various backs-and-forths and the counters alone put this as one of the best damn matches I've seen all year. Seek this match out.

Josh Briggs vs. Anthony Greene - The main event of the show saw Briggs and Greene wrestle a tremendously emotional and hard-hitting match with stakes that they set up with Briggs attacking Ava Gardner and Angel Sinclair, Greene's valets, before the match, and then saw it get thrown all away after when Briggs cut the Davey Richards Memorial "I Respect You" Promo afterwards. The dichotomy presents itself posing the question of "how quickly can you turn off your kayfabe brain and is that a good thing?" I personally don't think it is, and if the endgame was Briggs wanting to team with Greene in a future (limited, to the chants of "Season Two!" from the crowd) tag match, well, I can think of a few other ways they could have gotten there without just flat out saying it like the prior match was inherently fake. I don't know, maybe this is my old fogey hill that I die on.

But really, the match itself was fantastic. Like, having Briggs attack the valets beforehand established him as the villain, and Greene went slid into the white meat babyface role like a horny athlete sliding into Mia Khalifa's Twitter DMs. Gardner and Sinclair got to give Briggs his comeuppance, and even though Greene lost, he lost like an honorable warrior in a hot finish. My advice is that you maybe turn it off after the pinfall is counted, or not if you're not like me and you don't mind that sort of thing after the match.

G1 Climax Collect: Nights 3-7

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The best match of Night 6, of the tournament, of the year
Photo Credit: NJPW1972.com
The G1 Climax rolled on after two strong opening nights, although one night was stronger than the other. Three A-block shows and two B-block shows mean a whole 25 tournament matches have taken place since Hirooki Goto proclaimed the G in G1 stood for his surname. I'm not doing it reader's digest style, because my brain does not let me retain that much information in the short term anymore. However, I have big impressions of those five shows, and I want to share them with you here!

A Breath of Fresh Air - Jon Moxley entered the G1 Climax a wild card. Despite the fact that he'd already worked two New Japan matches and one for All Elite Wrestling, he had the stink of a (unfairly, in my opinion) maligned WWE run, especially after The Shield broke up on him. His first match with Taichi helped allay those fears, but then he went through B-block's big boys in Jeff Cobb and Tomohiro Ishii, and MAN, people started getting excited for Mox really quick after those. The match vs. Ishii especially stood out, closing out night six with a bang. In addition to working "good" matches, Mox has brought a different atmosphere to his matches. Most New Japan matches that don't involve Bad Luck Fale or Toru Yano have an almost formal feel to them. Mox has brought a wild card to all his matches so far, which has done well in giving the tenor to the tournament a little more diversity in style.

The match with Ishii was the best example, and it was also not only the best match of the slate so far, but probably the best one of the year that I've seen at least. It saw Mox stand up to Ishii's power HOSS offense and bait him to the outside with weapons. Watching Mox give Ishii a chair before they did steel chair swordfighting was about as delightful as wrestling violence can be. The match allowed Ishii to come out of a box so to speak, leaping from the top rope to give Mox a flying press through a table. I know the modern HOSS is agile nowadays, but the only wrestler from which a highspot of that nature would surprise me more would be the Great Khali. When I think Ishii, I think headbutts, scowling, brainbusters, and general garbled yelling at his opponent. But that's the beauty of both the G1 Climax and having someone as fresh and eccentric as Moxley in it.

B Is the Magic Block - Going into the thing, I figured B-block would be the better frame, but I didn't figure it would be better by a considerable margin. So far, there have been 15 matches in B-block, and only one of them, Tetsuya Naito vs. Taichi, is one that I would feel okay if you skipped. Sure, this block doesn't have Kazuchika Okada, Hiroshi Tanahashi, KENTA, or Zack Sabre, Jr., but the overall performances have been consistently at a high level. I've heard that people have grown unhappy with Jeff Cobb's run in the tournament, but I also thought all three of his matches were at a high baseline. They weren't brilliant, well, the second and third acts of his match with Ishii were brilliant, but he's putting in work. Regardless of Cobb though, you have Shingo Takagi, Toru Yano, Hirooki Goto, Juice Robinson, Ishii, and Moxley all going at their highest levels. Jay White provides a needed arch-heel presence, while Taichi and Naito are still turning in good stuff most of the time. I think going forward, B-block feels like the slate you should watch in full, while A-block has the matches you cherrypick.

EVERYBODY DIES! - I wasn't looking forward to Archer, a tag specialist whose singles runs in WWE and TNA didn't really inspire much optimism, in the G1, but you'd have to be an A-plus hater not to recognize he's been on a tear. It might be a unicorn run, sure. Or maybe he's just getting more acclimated to singles wrestling now that Davey Boy Smith, Jr. has left New Japan. Archer's 42, so who knows how long he's got. Might as well make the best of it, and he has. He followed up a surprisingly enjoyable match with Will Ospreay with two really good matches against KENTA and Tanahashi and with something not embarrassing against Bad Luck Fale. He provides an imposing bully presence without needing outside interference, and bringing back The Claw as a finish only adds to his menace. Hopefully, he keeps it up, because A-block needs a dominating presence like his.

Starting a Dialogue About Sanada - When looking at the slate for the G1, I thought that the weak spots might have been Archer, Fale, or even Ospreay (I'm a hater, I know). However, I didn't think Sanada would be on the list, and yet, after his match-of-the-night with Sabre in Dallas, he's not been all that great to put it lightly. His match with Ospreay was the worst match of the tournament so far, even worse than anything Fale was involved in, and the Ibushi match came off the rails at the end. It's hard just to blame one person for a bad match because it takes two to tango. That being said, is Sanada just off his game, or is the explanation that he's at best a lump of clay who can only have a match as good as his opponent? He was good against Sabre and fine against EVIL, and not coincidentally, they're two of the best wrestlers in the block. The question is though, does it matter? Sanada is hella over, inspires massive thirst, and he's tight with Ibushi, which means if he ever leaves Los Ingobernables de Japon, he's probably gonna start a stable with Ibushi that, like Friend of the Blog and PW Torch contributor Rich Fann II says, will increase the population of Japan by 13 percent. The point isn't that Sanada is above criticism, it's just that the community at-large will have to be dealing with that criticism for a long time. If you don't like it? Well, don't participate.

Coming Up - Night 8 is Wednesday night in Japan, early Wednesday night in America, and it features the leader, Moxley, taking on one of the three nipping at his heels with four points, Takagi. Is the crown for Mox/Ishii for best match ready to be knocked off at the very next B-block show? Also, Robinson (four points) will look to avoid falling into the Yano spoiler trap, which at this point isn't a spoiler trap since Yano also has four points. Goto and Taichi will try not to fall too far behind as they battle, both with two points, and White will look to get off the schneid with Cobb (two points) in his crosshairs. Finally, in the probable main event, Ishii (four points) will look to bounce back from his defeat to Moxley, and he's got Naito, who only has two points and needs to pick up the pace if he wants to have a chance to win the block this year.

Night 9 will probably have the biggest match in the tournament thus far, as KENTA and Okada, both unbeaten thus far through four matches, will go head-to-head. KENTA's story so far is that the locker room hasn't quite accepted him yet, and the fans really haven't either. He'll be up against a wave of populism with the Rainmaker. Archer and Ibushi will battle to see who can keep pace with the eventual winner, as the two four-point players will collide, and said collision will probably send Ibushi flying into the nearest body of water. Tanahashi (four points) will look to continue his G1 defense against Sanada, still looking for his first win since Dallas. EVIL (four points) and Zack Sabre, Jr. (two points) will tangle, and finally Ospreay (two points) will look to not get smushed by an angry Fale, who also hasn't won since Dallas.

The G1 Climax is still in its early stages, and although favorites have emerged, the tenor can change with one week's worth of shows. You can watch all the shows on New Japan World, through more devious means, or you can just watch select action on AXS TV.

WWE Is Shook, or Now Orton Is Replying to Ospreay Tweets

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Orton didn't even take bait; he just attacked Ospreay for no reason.
Photo Credit: WWE.com
So, if you missed Seth Rollins and Will Ospreay getting into a dustup because Rollins was dumb enough to take Ospreay's bait on Twitter, well, lucky you, I wish I were in your shoes. However, you are now greeted by an even DUMBER turn of events, because this timeline is the worst and dumbest one. This time, it was a WWE wrestler quote-tweeting the rape-enabling bully unprovoked, and that wrestlers was none other than Randy Orton. Ospreay tweeted something incredibly sappy and faux-inspirational:

You'd think the only wrestlers who'd reply or quote-tweet it would be his mates telling him it was the dumbest shit ever or agreeing with him, depending on how much of a suck-up that person was. Orton saw it as the perfect opportunity to hit him with a RKO outta nowhere of a tweet with all the capriciousness of any RKO actually hits nowadays:
Seriously, I can't understand why he'd post that quote-tweet of that particular Ospreay missive, or at least I couldn't until I realized that Orton probably didn't have any beef with him personally, but that Ospreay "started a war" when he sassily replied to Rollins about who was the best in the world (spoiler alert, it's neither of them). Rollins may have gotten a talking too, but I doubt it's because he sullied the good name of WWE but rather he was incredibly bad at tweeting. WWE, despite being the world leader in sports entertainment, is operating as if it's an underdog, like when World Championship Wrestling burst onto the scene and punched it in the mouth by not only debuting Nitro head-to-head with RAW, but kicking its ass for 83 weeks in the ratings. While WWE's having its own modern issue with ratings, it is still on top worldwide overall.

But to understand why WWE would go into attack mode when it doesn't need to is to understand the conservative mindset, that they can't garner sympathy with the "liberal media" unless they're the underdogs, the victims. In case you haven't noticed, in no way, shape, or form are the demographics that mostly make up conservative party membership here or in the United Kingdom marginalized, so they have to make up reasons. Whenever someone criticizes an anti-same-sex marriage bill, they are being mean to Christians. When someone who isn't White or male is cast in a prominent role in a franchise movie, it's White genocide (no, seriously, look up that term and see what they take it to mean). It's all bullshit, but they peddle it and the media laps it up like a dog slurps water on a hot day. Vince McMahon is more than happy to take up that mantel against these foul, evil upstarts in All Elite Wrestling and the foreign invaders from Japan trying to usurp his crown.

Obviously, there are more tweets than the ones I embedded above, and obviously, Orton is holding his own much better than Rollins did. That's not the point, which is that WWE is lashing out because they're afraid. They're paranoid. That's why Orton is going off. He's a company man's company man. That's why I can only imagine who next has tweets in the barrel. The Miz? Becky Lynch? Alexa Bliss? Dolph Ziggler? I don't see this onslaught stopping, and although Ospreay is a bit of a twit at BEST, I'm not sure he deserves to be targeted by the biggest wrestling company in the world because he was an idiot once. Granted, Ospreay deserves to be raked over the coals for numerous reasons by people far more righteous than the folks fundraising for Donald Trump or taking money from Saudi Arabia. However, that's another post for another day.

The Wrestling Blog's OFFICIAL Best in the World Rankings for July 22, 2019

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A master at work
Photo Credit: NJPW1972.com
Welcome to a feature I like to call "Best in the World" rankings. They're not traditional power rankings per se, but they're rankings to see who is really the best in the world, a term bandied about like it's bottled water or something else really common. They're rankings decided by me, and don't you dare call them arbitrary lest I smack the taste out of your mouth. Without further ado, here's this week's list:

1. Toru Yano (Last Week: Not Ranked) - Last year in the G1, Yano decided to play it "straight" and actually wrestle, and it got him six points. He's back to cheating his ass off this year, and in three matches, he's already only two points shy of last year's total. It's all for the best because would you want to see him try and wrestle Jay White fairly? No, you wanna see him slug the Knife Pervert in his nutsac. Yano is a darkhorse to win B-block... well, not really, but hey, he might just reach double digits and vindicate cheating once and for all!

2. Officer Magnum (Last Week: 1) - Not only is he the GOODEST BOY IN ALL OF WRESTLING YES HE IS, he also has a fan in Nick Gage. When a dog as good and adorable as Officer Magnum is also MDK, then you know he's legit.

3. Orange Cassidy (Last Week: 9) - EFFY wrestled him this weekend. When he took a sip of his trademark juice, EFFY sucked it out of his mouth. How did Cassidy respond? By accepting EFFY's date request for coffee. See, love wins.

4. Short-Rib Ravioli (Last Week: Not Ranked)OFFICIAL HOLZERMAN HUNGERS SPONSORED ENTRY - So the family and I went to Limoncello, a restaurant in Chester County, and hooo boy, I ordered this beaut for dinner. It was rich and luxurious, and the best part is we had a gift card so it wasn't that expensive. How about that? It was even better for lunch.

5. Logan Stunt (Last Week: Not Ranked) - My man shot his shot, and I think he's about to get himself some exquisite loving from a willing partner (no one tell Stokely Hathaway).

6. Tomohiro Ishii (Last Week: 7) - Honestly, it's not just that he flew off the top rope to the outside to body-press Jon Moxley through a table. It's that he did so with the same annoyed anger in his face that he'd be employing if he were clubbing some poor sap in the face. That's the kind of consistency I crave from my HOSS warriors.

7. Maki Itoh (Last Week: Not Ranked) - Isn't she wholesome?

8. Jushin Liger (Last Week: Not Ranked) - Liger made his final appearance in Mexico this past weekend, so of course CMLL rolled out the best for him. I mean, Liger deserves all that pomp and THEN some.

9. Rhys Hoskins (Last Week: Not Ranked) - The Phillies have been in bad shape lately, but thanks to Hoskins launching a dong in the 11th inning, they escaped Pittsburgh with a series win. Gotta love my Large Adult Baseball Son.

10. Otis Dozovic (Last Week: 10) -

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